Individualized interpretation: Exploring structural and interpretive effects on evaluations of emotional content in Bach’s Well Tempered Clavier

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
A. Battcock, Michael Schutz
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引用次数: 2

Abstract

Audiences, juries, and critics continually evaluate performers based on their interpretations of familiar classics. Yet formally assessing the perceptual consequences of interpretive decisions is challenging – particularly with respect to how they shape emotional messages. Here, we explore the issue through comparison of emotion ratings (using scales of arousal and valence) for excerpts of all 48 pieces from Bach’s Well-Tempered Clavier. In this series of studies, participants evaluated one of seven interpretations by highly regarded pianists. This work offers the novel ability to simultaneously explore (1) how different interpretations by expert pianists shape emotional messages, (2) the degree to which structural and interpretative elements shape the clarity of emotional messages, and (3) how interpretative differences affect the strength of specific features or cues to convey musical emotion.
个性化解读:探讨巴赫《良律律》中情感内容评价的结构效应和阐释效应
观众、评审团和评论家不断根据表演者对熟悉经典的诠释来评价他们。然而,正式评估解释性决定的感知后果是具有挑战性的,尤其是在它们如何塑造情感信息方面。在这里,我们通过比较巴赫的《脾气好的克莱维尔》中所有48首作品的情感评分(使用唤醒和效价量表)来探讨这个问题。在这一系列研究中,参与者评估了备受推崇的钢琴家的七种诠释之一。这项工作提供了一种新颖的能力,可以同时探索(1)专业钢琴家的不同解释如何塑造情感信息,(2)结构和解释元素在多大程度上塑造情感信息的清晰度,以及(3)解释差异如何影响传达音乐情感的特定特征或线索的强度。
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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