Thinking Minds, Virtual Bodies

Q3 Social Sciences
Monali NandyMazumdar
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引用次数: 0

Abstract

With the emergence of the pandemic, the world adapted virtually; dance education and performance were no exception. Particularly, Indian classical dance (ICD) education and practice garnered mixed reactions due to the deviations from the intimate personified practices which are inherent in the traditional ICD system. Therefore, certain changes in the system became mandatory. With reference to the ideal tenets of arts pedagogy as mentioned in the ancient performing arts treatise Natyashastra, this paper provides specific significant methodologies which can benefit the knowledge exchange process in ICD especially in the online environment. Derived from the training in the sciences, this paper is an attempt to inform the virtual ICD scenario regarding complementation of and improvements in the traditional ways of knowledge acquisition and dissemination. These ways will appreciably enrich the desired purposes of the “felt” and “embodied” which may have been lost with the shift to the virtual scenario.
思维思维,虚拟身体
随着大流行的出现,世界几乎适应了;舞蹈教育和表演也不例外。特别是印度古典舞(ICD)的教育和实践,由于偏离了传统ICD系统中固有的亲密人格化实践,引起了不同的反应。因此,必须对系统进行某些更改。参考古代表演艺术论著Natyashastra中提到的艺术教育学的理想原则,本文提供了具体的有意义的方法,这些方法有利于ICD特别是在线环境下的知识交流过程。基于科学方面的培训,本文试图为虚拟ICD方案提供有关补充和改进传统知识获取和传播方式的信息。这些方法将显著地丰富“感觉”和“体现”的预期目的,这些目的可能随着转向虚拟场景而丢失。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Review of Social Research
International Review of Social Research Social Sciences-Cultural Studies
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