{"title":"Introduction to the Book Review Symposium","authors":"Marcus Morgan, Leonidas Tsilipakos","doi":"10.1177/17499755211049172","DOIUrl":null,"url":null,"abstract":"The following book review symposium began life in the form of an event that took place on 14 October, 2020, organised on behalf of the group for Social, Cultural and Political Theory within the School of Sociology Politics and International Studies (SPAIS), at the University of Bristol. The idea for that event was to invite a selection of key scholars to discuss an important new work in social theory, namely, a recent and particularly promising book by Isaac Ariail Reed, entitled Power in Modernity: Agency Relations and the Creative Destruction of the King’s Two Bodies. The book caught our attention as it seemed to offer a wealth of insights on classical sociological topics, but at the same time to propose a fresh understanding of those topics, and to provide an important new intervention in the field of the cultural and historical sociology of power. For the initial event, the author kicked things off by outlining the book, followed by discussants who, having carefully studied the book in advance, provided their responses, and in some cases objections, which were in turn met by further elaborations and counterarguments by the author. Although in our initial plans we intended to hold this event in Bristol, we unfortunately had to abandon those plans due to COVID-19 related restrictions. Resorting to an online platform, however, proved to be a particularly rewarding experience: most importantly, it enabled the gathering of a larger and certainly more diverse audience than we could have possibly convinced to make the trip to Bristol. After the success of the initial event, it was agreed that we would seek the publication of a book symposium. In terms of contributors, we were grateful that Emily Erikson was kind enough to accept an invitation to join us at this later stage. On the other hand, we were sad that Eric Lybeck, one of the initial participants, had to withdraw. Most contributions have been reworked through discussion as well as further study and reflection, while also retaining some of the stylistic imprint of their initial status as relatively informal talks. Complementary summaries of the book are offered in all of the following pieces, so we will refrain from adding yet another here. Whilst all the responding scholars identify a great deal of merit in Reed’s work, they also, each in their own way, provide critical engagement. What follows is a highly abridged summary of some of the key critical themes raised. Marcus Morgan’s response focuses on Reed’s typology of dimensions of power. Whilst sympathetic overall to the utility of Reed’s categorisations, he nevertheless questions his 1049172 CUS0010.1177/17499755211049172Cultural SociologyBook Review Symposium research-article2021","PeriodicalId":46722,"journal":{"name":"Cultural Sociology","volume":"16 1","pages":"111 - 112"},"PeriodicalIF":1.4000,"publicationDate":"2021-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Sociology","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/17499755211049172","RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
The following book review symposium began life in the form of an event that took place on 14 October, 2020, organised on behalf of the group for Social, Cultural and Political Theory within the School of Sociology Politics and International Studies (SPAIS), at the University of Bristol. The idea for that event was to invite a selection of key scholars to discuss an important new work in social theory, namely, a recent and particularly promising book by Isaac Ariail Reed, entitled Power in Modernity: Agency Relations and the Creative Destruction of the King’s Two Bodies. The book caught our attention as it seemed to offer a wealth of insights on classical sociological topics, but at the same time to propose a fresh understanding of those topics, and to provide an important new intervention in the field of the cultural and historical sociology of power. For the initial event, the author kicked things off by outlining the book, followed by discussants who, having carefully studied the book in advance, provided their responses, and in some cases objections, which were in turn met by further elaborations and counterarguments by the author. Although in our initial plans we intended to hold this event in Bristol, we unfortunately had to abandon those plans due to COVID-19 related restrictions. Resorting to an online platform, however, proved to be a particularly rewarding experience: most importantly, it enabled the gathering of a larger and certainly more diverse audience than we could have possibly convinced to make the trip to Bristol. After the success of the initial event, it was agreed that we would seek the publication of a book symposium. In terms of contributors, we were grateful that Emily Erikson was kind enough to accept an invitation to join us at this later stage. On the other hand, we were sad that Eric Lybeck, one of the initial participants, had to withdraw. Most contributions have been reworked through discussion as well as further study and reflection, while also retaining some of the stylistic imprint of their initial status as relatively informal talks. Complementary summaries of the book are offered in all of the following pieces, so we will refrain from adding yet another here. Whilst all the responding scholars identify a great deal of merit in Reed’s work, they also, each in their own way, provide critical engagement. What follows is a highly abridged summary of some of the key critical themes raised. Marcus Morgan’s response focuses on Reed’s typology of dimensions of power. Whilst sympathetic overall to the utility of Reed’s categorisations, he nevertheless questions his 1049172 CUS0010.1177/17499755211049172Cultural SociologyBook Review Symposium research-article2021
期刊介绍:
Cultural Sociology publishes empirically oriented, theoretically sophisticated, methodologically rigorous papers, which explore from a broad set of sociological perspectives a diverse range of socio-cultural forces, phenomena, institutions and contexts. The objective of Cultural Sociology is to publish original articles which advance the field of cultural sociology and the sociology of culture. The journal seeks to consolidate, develop and promote the arena of sociological understandings of culture, and is intended to be pivotal in defining both what this arena is like currently and what it could become in the future. Cultural Sociology will publish innovative, sociologically-informed work concerned with cultural processes and artefacts, broadly defined.