{"title":"Tra romanzo e rivoluzione. Il millenarismo medievale sotto la penna di Umberto Eco","authors":"R. Rossi","doi":"10.13130/2035-7362/15574","DOIUrl":null,"url":null,"abstract":"Considering Umberto Eco’s articles and novels, the paper will examine the imaginary of the Middle Age as the cradle of every kind of millenarianism. The analysis will start from Eco’s essay Palinsesto su Beato (1963). Looking at the originality of his structuralist view, I will compare the last editing of this text with a bibliographical framework about the role of the Apocalypse of St. John in the Western tradition. The first reference will be the genealogical thesis of Karl Lowith, who in Meaning in History (1949) affirmed that the modern philosophies of history have the same eschatological aim of the Christian culture. The second comparison will be with a portrait of the medieval heresiarch Fra Dolcino. In this case, I will consider the perspective of the socialist philosopher Antonio Labriola, who elaborated it at the end of the XIX Century to distinguish the scientific applications of historical materialism from his eschatological misinterpretations. These two opposite references will drive me to problematize the representation of millenarianism as it was depicted by Umberto Eco in his The Name of the Rose (1980). Indeed, is Dulcinian millenarianism intended by the novel as a prefiguration of the political terrorism in Italy during the Years of Lead? Or is this only a wink, a joking interaction with the reader, who should be careful to rely not on the symbolic strength of analogies?","PeriodicalId":30063,"journal":{"name":"Doctor Virtualis","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Doctor Virtualis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13130/2035-7362/15574","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Considering Umberto Eco’s articles and novels, the paper will examine the imaginary of the Middle Age as the cradle of every kind of millenarianism. The analysis will start from Eco’s essay Palinsesto su Beato (1963). Looking at the originality of his structuralist view, I will compare the last editing of this text with a bibliographical framework about the role of the Apocalypse of St. John in the Western tradition. The first reference will be the genealogical thesis of Karl Lowith, who in Meaning in History (1949) affirmed that the modern philosophies of history have the same eschatological aim of the Christian culture. The second comparison will be with a portrait of the medieval heresiarch Fra Dolcino. In this case, I will consider the perspective of the socialist philosopher Antonio Labriola, who elaborated it at the end of the XIX Century to distinguish the scientific applications of historical materialism from his eschatological misinterpretations. These two opposite references will drive me to problematize the representation of millenarianism as it was depicted by Umberto Eco in his The Name of the Rose (1980). Indeed, is Dulcinian millenarianism intended by the novel as a prefiguration of the political terrorism in Italy during the Years of Lead? Or is this only a wink, a joking interaction with the reader, who should be careful to rely not on the symbolic strength of analogies?
本文将结合翁贝托·艾柯的文章和小说,考察中世纪作为各种千禧年主义摇篮的想象。分析将从艾柯的文章《Palinsesto su Beato》(1963)开始。考虑到他结构主义观点的原创性,我将把这篇文章的最后一次编辑与一个关于《圣约翰启示录》在西方传统中的作用的书目框架进行比较。第一个参考文献是卡尔·洛维斯(Karl Lowith)的宗谱论文,他在《历史的意义》(1949)中肯定了现代历史哲学与基督教文化具有相同的末世论目标。第二个比较将是中世纪异端学者多尔奇诺的肖像。在这种情况下,我将考虑社会主义哲学家安东尼奥·拉布里奥拉(Antonio Labriola)的观点,他在19世纪末阐述了这一观点,以区分历史唯物主义的科学应用与他的末世论误解。这两种相反的参考将促使我对翁贝托·艾柯在他的《玫瑰之名》(1980)中所描述的千禧年主义的表现提出质疑。事实上,小说中杜尔西尼的千禧年主义是否预示了意大利在铅时代的政治恐怖主义?或者这只是对读者的一次眨眼,一次开玩笑的互动,读者应该小心,不要依赖类比的象征力量?