Le città invisibili as Cybertext and Cyberspace: Italo Calvino, Ted Nelson, and Arata Isozaki

IF 0.3 3区 文学 0 HUMANITIES, MULTIDISCIPLINARY
Eleonora Lima
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引用次数: 0

Abstract

ABSTRACT This article considers the place of Le città invisibili within the debate on cybernetics, both as a product of its time as well as a harbinger of the future advent of network culture. It proposes to interpret the two most emblematic images of the book – the enchanted palace of the Kublai Khan, and the everchanging ‘invisible cities’ visited by Marco Polo – as Calvino’s personal contribution to the definition of cybertext and cyberspace. Curiously, the same emblematic images are also found in the work of two of Calvino’s contemporaries: the American pioneer of information technology Ted Nelson, and the Japanese architect and exponent of the Metabolist movement Arata Isozaki. Through a comparative analysis, this article shows how the new concept of information brought by cybernetics crystallised in virtually identical images and metaphors across disciplines and cultures: in literature, with Calvino, in computer science with Nelson, and in architecture with Isozaki.
像Cybertext和Cyberspace这样看不见的城市:Italo Calvino, Ted Nelson和Arata Isozaki
本文认为,在控制论的争论中,“无形的城市”的地位既是其时代的产物,也是网络文化未来到来的预兆。它建议将书中最具象征意义的两个意象——忽必烈的魔法宫殿,以及马可·波罗访问过的不断变化的“隐形城市”——解读为卡尔维诺对网络文本和网络空间定义的个人贡献。奇怪的是,同样的象征性形象也出现在卡尔维诺同时代的两位作家的作品中:美国信息技术先驱特德·纳尔逊(Ted Nelson)和日本建筑师、代谢物运动代表矶崎新(Arata Isozaki)。通过比较分析,本文展示了控制论带来的信息新概念是如何在不同学科和文化中以几乎相同的图像和隐喻结晶的:在文学中,与卡尔维诺(Calvino),在计算机科学中与纳尔逊(Nelson),在建筑中与矶崎新(Isozaki)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Italian Studies
Italian Studies Multiple-
CiteScore
0.40
自引率
0.00%
发文量
47
期刊介绍: Italian Studies has a national and international reputation for academic and scholarly excellence, publishing original articles (in Italian or English) on a wide range of Italian cultural concerns from the Middle Ages to the contemporary era. The journal warmly welcomes submissions covering a range of disciplines and inter-disciplinary subjects from scholarly and critical work on Italy"s literary culture and linguistics to Italian history and politics, film and art history, and gender and cultural studies. It publishes two issues per year, normally including one special themed issue and occasional interviews with leading scholars.The reviews section in the journal includes articles and short reviews on a broad spectrum of recent works of scholarship.
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