{"title":"Captivated by Gaze. Sculpture as Witness at the Lausanne Cathedral's Porch","authors":"Adrien Palladino","doi":"10.1484/J.CONVI.4.2019025","DOIUrl":null,"url":null,"abstract":"The sculptures of the Lausanne cathedral's painted porch (1225–1235) are unique testimonies to a fully adorned and painted liminal zone. Focusing on the notions of movement and iconic presence, thi...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/J.CONVI.4.2019025","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
The sculptures of the Lausanne cathedral's painted porch (1225–1235) are unique testimonies to a fully adorned and painted liminal zone. Focusing on the notions of movement and iconic presence, thi...