{"title":"Encounters with the Past","authors":"Andrea Giolai","doi":"10.1163/22118349-00901002","DOIUrl":null,"url":null,"abstract":"\n Kasuga Wakamiya Onmatsuri is an important local festival celebrated every winter in Nara. While the festival has been analyzed from the point of view of its relations with religious institutions such as Kasuga Taisha and Kōfukuji, to date less attention has been paid to its historical transformations. Countering linear narratives that tend to portray it as largely unchanged since its inception, this article combines ethnography, historiography, and religious studies to provide a more multivocal analysis of the Onmatsuri. After an overview of its main celebrations, the article revisits the origins of the festival, describes the ontological multiplicity of its deities, and analyzes material elements that concur to its “fractal” features. Showing how these heterogeneous elements generate a diffuse “atmosphere of the past,” this study discusses practitioners’ accounts of ritual participation, as well as the relationship between ideological reconstructions of the past and material embodiments of religious symbols.","PeriodicalId":41418,"journal":{"name":"Journal of Religion in Japan","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2020-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22118349-00901002","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Religion in Japan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22118349-00901002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
Kasuga Wakamiya Onmatsuri is an important local festival celebrated every winter in Nara. While the festival has been analyzed from the point of view of its relations with religious institutions such as Kasuga Taisha and Kōfukuji, to date less attention has been paid to its historical transformations. Countering linear narratives that tend to portray it as largely unchanged since its inception, this article combines ethnography, historiography, and religious studies to provide a more multivocal analysis of the Onmatsuri. After an overview of its main celebrations, the article revisits the origins of the festival, describes the ontological multiplicity of its deities, and analyzes material elements that concur to its “fractal” features. Showing how these heterogeneous elements generate a diffuse “atmosphere of the past,” this study discusses practitioners’ accounts of ritual participation, as well as the relationship between ideological reconstructions of the past and material embodiments of religious symbols.
期刊介绍:
JRJ is committed to an approach based on religious studies, and is open to contributions coming from different disciplines, such as anthropology, sociology, history, Buddhist studies, Japanese studies, art history, and area studies. The Journal of Religion in Japan encourages critical application of ideas and theories about Japanese religions and constitutes a forum for new theoretical developments in the field of religion in Japan. The Journal does not provide a venue for inter-religious dialogue and confessional approaches.