Trench art between memory and oblivion: a report from Poland (and Syria)

Abstract

ABSTRACT This paper summarises some of the results of archaeological research on twentieth century military heritage in the Polish woodlands, namely the discovery of artefacts made, remade, and personalised by soldiers, prisoners of war, and civilians during military conflicts. Such objects are examples of so-called ‘trench art’. I draw attention to the universality of trench art, a phenomenon that is usually associated with the past conflicts such as the Napoleonic Wars and the First and Second World Wars. Nonetheless, trench art is, in its complexity, diversity and affectivity, an integral part of modern warfare, including the recent tragic conflict in Syria. After presenting the project and some examples of trench art documented during the research, I discuss a unique artistic intervention entitled Painting on Death to illustrate the affective, aesthetic, and political value of modern trench art.