Mauri Edo: The Present Time

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2021-03-01 DOI:10.1162/comj_r_00595

Seth Rozanoff

引用次数: 0

Abstract

Mauri Edo, known as Subespai, has recently produced an album entitled The Present Time. In the Catalan language, subespai means “subspace”—a space within a space. This concept, which is found in mathematics, appropriately characterizes the composer’s approach to organizing a sonic landscape within this set of tracks, which was produced on a four-track tape machine. Subespai has deployed an improvisatory approach to layering sound in The Present Time, exploring the limitations of his resources in the studio. Subespai’s intuitive compositional process stems from the use of what he describes as found sound components: “samples from here and there, downloaded, recorded or generated (by myself).” Subespai identifies the results of this process used for building sonic layers, as his

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毛里埃多：当下

被称为Subespai的Mauri Edo最近制作了一张名为《当下》的专辑。在加泰罗尼亚语中，subespai的意思是“子空间”——一个空间中的空间。这一概念出现在数学中，恰当地描述了作曲家在这组曲目中组织声音景观的方法，这组曲目是在四轨录音机上制作的。Subespai在《当下》中采用了一种即兴的方法来分层声音，探索他在工作室中资源的局限性。Subespai直观的作曲过程源于他所描述的已发现的声音成分的使用：“从这里到那里的样本，下载、录制或生成（由我自己）。”

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.