{"title":"Introduction: Women Painting: Scottish Art 1940–1980","authors":"M. Greated, Susannah Thompson","doi":"10.1080/14714787.2020.1714475","DOIUrl":null,"url":null,"abstract":"Editorial for a co-edited special issue of the journal Visual Culture in Britain, published by Taylor & Francis, focusing on painting by women in Scotland in the mid-twentieth century. The edited collection reflects upon and examines an under-examined body of practice in the history of Scottish art, presenting thematic essays and detailed case studies of specific artists. \n \nContributors include: Joanne Tatham & Tom O'Sullivan (Royal College of Art; Northumbria University); Debi Banerjee (Edinburgh Sculpture Workshop); Deborah Jackson (Edinburgh College of Art), Jenny Brownrigg (GSA); Kyla McDonald (GSA) along with articles by the two editors, Susannah Thompson and Marianne Greated (GSA).","PeriodicalId":35078,"journal":{"name":"Visual Culture in Britain","volume":"21 1","pages":"1 - 13"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14714787.2020.1714475","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Culture in Britain","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14714787.2020.1714475","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Editorial for a co-edited special issue of the journal Visual Culture in Britain, published by Taylor & Francis, focusing on painting by women in Scotland in the mid-twentieth century. The edited collection reflects upon and examines an under-examined body of practice in the history of Scottish art, presenting thematic essays and detailed case studies of specific artists.
Contributors include: Joanne Tatham & Tom O'Sullivan (Royal College of Art; Northumbria University); Debi Banerjee (Edinburgh Sculpture Workshop); Deborah Jackson (Edinburgh College of Art), Jenny Brownrigg (GSA); Kyla McDonald (GSA) along with articles by the two editors, Susannah Thompson and Marianne Greated (GSA).