Verosimiglianza storica vs memoria creativa in El prodigioso príncipe transilvano

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Federica Cappelli
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引用次数: 0

Abstract

"In the Spanish theatre of the Golden Age, political propaganda and the consequent need to propose heroes conforming to the prevailing political-religious ideology to the public of corrales de comedia were almost always conditioning the creative process. This is also the case of El prodigioso príncipe transilvano, a historical comedy set at the time of the long Spanish-Turkish conflict (1526-1606) and dedicated to exalting the figure of Sigismund Báthory, in truth one of the most controversial figures in the history of Romanian principalities. This contribution aims at investigating the extent and mechanisms that, in the text, regulate this intersection of historical reliability and creative reworking of a recent past for pro-Spanish and pro- catholic propaganda purposes."
历史真相与创造记忆
“在黄金时代的西班牙戏剧中,政治宣传以及由此产生的向公众推荐符合主流政治宗教意识形态的英雄的需要几乎总是制约着创作过程。《El magioso príncipe transilvano》也是如此,这是一部以西班牙-土耳其长期冲突为背景的历史喜剧(1526-1606),并致力于提升Sigismund Báthory的形象,事实上,他是罗马尼亚公国历史上最具争议的人物之一。这篇文章的目的是调查在文本中,为了亲西班牙和亲天主教的宣传目的,对历史可靠性和对近代历史的创造性改造的交叉点进行规范的程度和机制。“
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Caietele Echinox
Caietele Echinox HUMANITIES, MULTIDISCIPLINARY-
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