Exploring the Efficacy of Deliberate Practice and Memorisation Skills in the Process of Learning Debussy’s L’Isle joyeuse: A Practice-Led Study

IF 0.4 0 MUSIC
Hester Rhoodie, Simon-Petrus du Toit
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引用次数: 0

Abstract

Abstract In a practice-led study, the authors explored the process followed by classical pianists when learning new repertoire at an advanced level. The study drew on accounts by professional pianists and pedagogues, as well as on case studies of the learning process in musicians. Further, the study drew on literature about practice and memorisation. It incorporated the second author’s own documented process of learning Claude Debussy’s L’Isle joyeuse. Audio recordings and journal entries from each practice session during his learning process were transcribed and a description of the learning process is presented. The process was divided into four stages, namely, initial learning, first revision, second revision (memorisation), and polishing. The results are discussed and compared with the literature. The study found that an efficient learning process reflects the late Swedish psychologist K. Anders Ericsson’s principles of deliberate practice and acquisition of long-term working memory. It further found that practice strategies which introduce contextual interference into the process could be beneficial, as could concentrated, musical slow practice. Other beneficial techniques include mental practice in order to strengthen memorisation.
探索刻意练习和记忆技巧在学习德彪西《快乐岛》过程中的效果:一项以实践为主导的研究
在一项以实践为主导的研究中,作者探讨了古典钢琴家在学习高级曲目时所遵循的过程。这项研究借鉴了专业钢琴家和教师的说法,以及音乐家学习过程的案例研究。此外,该研究还借鉴了有关练习和记忆的文献。它包含了第二位作者自己的学习克劳德·德彪西的《欢乐岛》的记录过程。在他的学习过程中,每次练习的录音和日志记录都被转录,并对学习过程进行了描述。这个过程分为四个阶段,即初始学习,第一次复习,第二次复习(记忆)和润色。对所得结果进行了讨论,并与文献进行了比较。研究发现,有效的学习过程反映了已故瑞典心理学家K. Anders Ericsson的刻意练习和获得长期工作记忆的原则。研究进一步发现,在练习过程中引入语境干扰的练习策略可能是有益的,集中注意力的音乐慢速练习也是有益的。其他有益的技巧包括加强记忆的心理练习。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.90
自引率
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发文量
5
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