{"title":"Re-imagining The Space Age: Early Satellite Development from Earthly Fieldwork Practice","authors":"Gemma Cirac-Claveras","doi":"10.1080/09505431.2021.2001451","DOIUrl":null,"url":null,"abstract":"ABSTRACT Imagining space technology has been influenced by (usually American-centred) turning points in rocketry, launchers, space exploration and human spaceflight: principally in terms of techno-bureaucratic Big Science products embedded in Cold War rivalry, military and prestige objectives. While this representation is useful to understand many developments of the space age, it has tended to downplay the role of natural history practices of data collection and interpretation in the development of space technology. The notion of sociotechnical imaginary helps to reveal a more complex and complete understanding of the history of space technology. Between 1967 and 1973, the vision of the French remote-sensing satellite as both enabled by and an extension of aircraft photo-interpretation helped to shape scientific and technological expectations of remote-sensing technology. In turn, the practices, values, and visions of aircraft photo-interpreters informed the development of satellite remote-sensing work. In particular, the fieldwork-driven research mode, focusing on data collection and field observations, was an important part of satellite technology development –a tie which remains strong today. Approaching remote-sensing satellite technology through historical research not only suggests a particular way of imagining space technology within the tradition of field science practices, discourses, and history, but also allows us to reflect on the power and limitations of prevalent imaginaries to fully understand the space age and its place in history.","PeriodicalId":47064,"journal":{"name":"Science As Culture","volume":"31 1","pages":"163 - 186"},"PeriodicalIF":2.5000,"publicationDate":"2021-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Science As Culture","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/09505431.2021.2001451","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT Imagining space technology has been influenced by (usually American-centred) turning points in rocketry, launchers, space exploration and human spaceflight: principally in terms of techno-bureaucratic Big Science products embedded in Cold War rivalry, military and prestige objectives. While this representation is useful to understand many developments of the space age, it has tended to downplay the role of natural history practices of data collection and interpretation in the development of space technology. The notion of sociotechnical imaginary helps to reveal a more complex and complete understanding of the history of space technology. Between 1967 and 1973, the vision of the French remote-sensing satellite as both enabled by and an extension of aircraft photo-interpretation helped to shape scientific and technological expectations of remote-sensing technology. In turn, the practices, values, and visions of aircraft photo-interpreters informed the development of satellite remote-sensing work. In particular, the fieldwork-driven research mode, focusing on data collection and field observations, was an important part of satellite technology development –a tie which remains strong today. Approaching remote-sensing satellite technology through historical research not only suggests a particular way of imagining space technology within the tradition of field science practices, discourses, and history, but also allows us to reflect on the power and limitations of prevalent imaginaries to fully understand the space age and its place in history.
期刊介绍:
Our culture is a scientific one, defining what is natural and what is rational. Its values can be seen in what are sought out as facts and made as artefacts, what are designed as processes and products, and what are forged as weapons and filmed as wonders. In our daily experience, power is exercised through expertise, e.g. in science, technology and medicine. Science as Culture explores how all these shape the values which contend for influence over the wider society. Science mediates our cultural experience. It increasingly defines what it is to be a person, through genetics, medicine and information technology. Its values get embodied and naturalized in concepts, techniques, research priorities, gadgets and advertising. Many films, artworks and novels express popular concerns about these developments. In a society where icons of progress are drawn from science, technology and medicine, they are either celebrated or demonised. Often their progress is feared as ’unnatural’, while their critics are labelled ’irrational’. Public concerns are rebuffed by ostensibly value-neutral experts and positivist polemics. Yet the culture of science is open to study like any other culture. Cultural studies analyses the role of expertise throughout society. Many journals address the history, philosophy and social studies of science, its popularisation, and the public understanding of society.