Youth on Screen: Representing Young People in Film and Television

IF 0.6 2区历史学 Q1 HISTORY

Contemporary British History Pub Date : 2022-08-06 DOI:10.1080/13619462.2022.2108411

Sarah Kenny

引用次数: 0

Abstract

canonisation of Pride as a memory resource is demonstrated by Horvat’s interactions with archivists at the People’s History Museum, the emergence of LGSMigrants and the reignited interest in LGSM at Pride events across the country. By demonstrating the obfuscations in the film’s content, Horvat makes a case for considering the types of queer histories which are being presented as vital queer memories. Beyond this and perhaps most pressingly, it asks once presented with these pasts, what kinds of futures are viewers encouraged to seek.

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银幕上的青年:影视中的青年代表

霍瓦特与人民历史博物馆档案管理员的互动，LGSMigrants的出现，以及在全国各地的骄傲活动中对LGSM的重新燃起的兴趣，都证明了骄傲作为一种记忆资源的神圣地位。通过展示电影内容中的困惑，霍瓦特提出了一个考虑酷儿历史类型的案例，这些类型被呈现为重要的酷儿记忆。除此之外，或许也是最紧迫的是，它提出了这样一个问题:一旦呈现这些过去，观众会被鼓励去寻找什么样的未来。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Contemporary British History HISTORY-

CiteScore

1.40

自引率

14.30%

发文量

期刊介绍： Contemporary British History offers innovative new research on any aspect of British history - foreign, Commonwealth, political, social, cultural or economic - dealing with the period since the First World War. The editors welcome work which involves cross-disciplinary insights, as the journal seeks to reflect the work of all those interested in the recent past in Britain, whatever their subject specialism. Work which places contemporary Britain within a comparative (whether historical or international) context is also encouraged. In addition to articles, the journal regularly features interviews and profiles, archive reports, and a substantial review section.