Bridge Complexity as a Factor in Audience Interaction in Transmedia Storytelling

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Vashanth Selvadurai, Peter Vistisen, D. Binns
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引用次数: 0

Abstract

ABSTRACT:To date, the scholarship on transmedia storytelling has focused on analyzing existing properties or on establishing holistic approaches to the craft itself. Missing from the scholarship are deep considerations of the individual mechanics at work during the telling of a story across multiple media platforms. We examine state-of-the-art transmedia properties to identify how audience motivations are engineered to ensure that the audience transitions from one media platform to another. Complicated story transitions, or "bridges," are an effect of the increased complexity of transmedia franchises, challenging the traditional monocentric "tentpole approach" with a broader polycentric approach. With a polycentric model, the complexity is managed not through tie-ins to one tentpole but as a mix of what are labeled here as storylines, storyworlds, and character bridges with varying levels of complexities in their relation to the traditional tentpole medium.
桥梁复杂性是跨媒体故事叙述中用户互动的一个因素
摘要:到目前为止,关于跨媒体讲故事的学术研究主要集中在分析现有的属性或建立整体的方法。在多个媒体平台上讲述一个故事的过程中,对工作中的个体机械师进行了深入的考虑,这项奖学金中遗漏了这一点。我们研究了最先进的跨媒体属性,以确定受众动机是如何设计的,以确保受众从一个媒体平台过渡到另一个平台。复杂的故事过渡,或“桥梁”,是跨媒体特许经营复杂性增加的结果,用更广泛的多中心方法挑战传统的单中心“帐篷方法”。在多中心模型中,复杂性不是通过与一个帐篷的连接来管理的,而是作为故事情节、故事世界和人物桥梁的混合体,它们与传统帐篷媒介的关系具有不同的复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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