Zarlino’s Comporre di fantasia and Canon

IF 1.6 1区 艺术学 0 MUSIC
Peter Schubert
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引用次数: 0

Abstract

In the Istitutioni harmoniche, Zarlino describes a compositional process in which a countermelody that is introduced against a principal soggetto can itself become a soggetto for the next phrase, and the process can be repeated in subsequent phrases. This study shows how comporre di fantasia functions in passages from Martini, Févin, Isaac, and Josquin. The technique can also inform our understanding of canon composition, which is illustrated with two examples by Pierre de la Rue. For the study of canons at different time intervals, I also invoke the neglected theories of Robert Morris, Robert Gauldin, and Immanuel Ott. Comporre di fantasia is a structural category that provides insight into compositional process in Renaissance polyphony.
Zarlino的幻想作曲家与佳能
在Istitutioni和声中,Zarlino描述了一个作曲过程,在这个过程中,针对主奏鸣曲引入的反旋律本身可以成为下一个短语的奏鸣曲,并且这个过程可以在随后的短语中重复。这项研究展示了幻想曲在马提尼、费文、艾萨克和约斯昆的段落中的作用。这项技术也可以帮助我们理解正典构图,皮埃尔·德拉鲁的两个例子就说明了这一点。对于不同时间间隔的经典研究,我还引用了罗伯特·莫里斯、罗伯特·高丁和伊曼纽尔·奥特被忽视的理论。幻想曲复调是一个结构范畴,它提供了对文艺复兴复调创作过程的洞察。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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