Mestizo Corporalities: Tropical/vibrant Latin American bodies

IF 0.2 0 DANCE
Leonardo José Sebiane Serrano
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引用次数: 1

Abstract

The research suggests understandings about the importance of activation (of/from/in) the body with the systems (culture/communication/health) through somatic–performative experiences; by means of which the anaesthetized body is destabilized for an awakening of states of the Mestizo Corporalities in the (re)cognition of the tropical/vibrant body. The initiative has fostered the ecology of knowledge, as well as a decolonial education in a research proposal that aims to anthropofagize these experiences in movement of the performer-researcher for an activation/reactivation of diverse points of view incorporating several principles of the somatic–performative approach, embracing the (inter)arts as an actuator of relationships with nature-life-world, their religious-ritualistic syncretisms and the day-to-day experiences, as well as the paths-identities of the performer-person-researcher. This narrative aims to incorporate completed performances and expose how these paths affect my identity networks; it is in this flow of interactions that articulate transpositions of learning and their different contributions to systems (culture–communication–health) that somatic–performative experiences renew the awakening to the mestizo vibrational body and in some way force the presence of practice research for other methodologies for a decolonial education and knowledge ecology.
Mestizo公司:热带/充满活力的拉丁美洲机构
该研究表明,通过身体-表演体验,理解身体与系统(文化/沟通/健康)的激活(来自/来自)的重要性;通过这种方式,被麻醉的身体不稳定,以唤醒梅斯提佐法人对热带/充满活力的身体的(重新)认知状态。该倡议促进了知识生态,并在一项研究提案中进行了非殖民化教育,该研究提案旨在将表演研究人员在运动中的这些经历人性化,以激活/重新激活不同的观点,其中包括身体-表演方法的几个原则,将艺术视为与自然生活世界关系的致动器,将其宗教仪式融合和日常体验,以及表演者和研究者的路径身份。这种叙述旨在结合完成的表演,并揭示这些路径如何影响我的身份网络;正是在这种相互作用的流动中,阐明了学习的转换及其对系统(文化-沟通-健康)的不同贡献,身体-表演体验重新唤醒了对中间振动体的觉醒,并在某种程度上迫使非殖民化教育和知识生态的其他方法的实践研究的存在。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
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