Adaptation of the Educational Program "Drawing and Painting" under the Martial Law Conditions

S. Lopukhova
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Abstract

The purpose of the article is to substantiate and reveal the innovations of the pedagogical approach to teaching the course "Drawing and painting", which became a quick reaction to changes in social reality due to the invasion of the russian federation in Ukraine. To continue the educational process, the educational program was updated and adapted to the extreme conditions of wartime by the author of the article. The article examines the reasons for the updated teaching methodology and the results of innovations. The research methodology. The empirical method and the method of pedagogical experiment, as well as analysis and synthesis, are used in the process of working on the article. The results of the updated method of teaching drawing and painting based on the analysis of social reality and the generalization of psychological advice regarding the behavior and mental health of the civilian population are outlined. The scientific novelty of the study is to record the experience of implementing the program of the course "Drawing and Painting", adapted to the conditions of the martial law. The specific connections of psychological and practical problems, which are faced by teachers and students on a large scale today, are considered. The effectiveness of the new structuring of the educational program in the conditions of the fundamental transformation of classes to the online format has been established. Conclusions. Continuation of the educational process during periods of social cataclysms, even such as war, is the duty of both scientific and pedagogical workers and students of higher education. However, the stressful situation forces us to look for new forms of interaction between the teacher and the student. Accordingly, the educational program "Drawing and painting" was adjusted – full-scale academic productions were replaced by a set of more independent creative tasks that do not require constant contact of the student with the teacher in the classroom.The aim of the updated online course is to master various means of visual presentation of student’s ideas, to study all stages of work, from the concept of the work to the selection of the composition’s format and the creation of an original and expressive graphic image. The updated course is focused on developing the ability to move beyond stereotypical associations and work with a wide range of images. The conducted pedagogical experiment allows us to assert that the individualized process of performing creative tasks within sufficiently broad thematic boundaries contributes to the development of creative analytical thinking, activates the creative abilities of students and forms an intellectual approach to learning, motivation and professional values.
戒严条件下“书画”教育节目的改编
本文的目的是证实和揭示“绘画与绘画”课程教学方法的创新,这是对俄罗斯联邦入侵乌克兰后社会现实变化的快速反应。为了继续教育过程,文章作者对教育计划进行了更新,并根据战时的极端条件进行了调整。本文探讨了教学方法更新的原因和创新的结果。研究方法。文章采用实证法、教学实验法、分析法和综合法进行研究。概述了在分析社会现实和概括有关平民行为和心理健康的心理建议的基础上更新的绘画教学方法的结果。这项研究的科学新颖之处在于记录了根据戒严条件实施“绘画”课程的经验。考虑了当今广大师生面临的心理问题与现实问题的具体联系。在课程向在线形式根本转变的条件下,新的教育计划结构的有效性已经确立。结论。在社会灾难时期,甚至在战争时期,继续教育进程,是科学和教育工作者以及高等教育学生的责任。然而,压力迫使我们在老师和学生之间寻找新的互动形式。因此,“绘画和绘画”教育计划进行了调整——全面的学术成果被一系列更独立的创造性任务所取代,这些任务不需要学生在课堂上与老师经常接触。更新在线课程的目的是掌握学生想法的各种视觉呈现方式,学习作品的各个阶段,从作品的概念到作品格式的选择,以及原创和富有表现力的图形图像的创作。更新后的课程侧重于培养超越陈规定型联想并处理各种图像的能力。所进行的教学实验使我们能够断言,在足够宽的主题范围内执行创造性任务的个性化过程有助于发展创造性分析思维,激活学生的创造性能力,并形成学习、动机和职业价值观的智力方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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