Catching up with our Nordic peers: The rising demand for Finnish drama series and its impact on local film and television production companies

IF 0.1 0 FILM, RADIO, TELEVISION
Heidi Grundström, Jose Juan Cañas Bajo, Ilkka Matila
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引用次数: 2

Abstract

Traditionally, the Finnish film and television industry has revolved around producing feature films and television series for local distribution. In the past five years, however, the industry has been transformed by a rising demand for high-end drama series. In addition to the positive developments for the economic stability of production companies, challenges are unfolding as the demand for new content keeps growing. This article introduces three recent and central developments, drawing on interviews with four local producers and an analysis of industry and media reports. First, new players have entered the market and introduced new financing opportunities, both domestic and international. Second, international co-production opportunities have grown through production companies’ new international focus. And finally, the introduction of the Finnish production incentive for the audio-visual industry has enabled more ambitious projects. These developments have led to two main challenges that the industry is currently facing: the imminent lack of experienced crew and the need for revised practices for screenwriting, development and production.
追赶北欧同行:对芬兰电视剧不断增长的需求及其对当地影视制作公司的影响
传统上,芬兰电影和电视行业一直围绕着制作故事片和电视连续剧供当地发行。然而,在过去的五年里,该行业因对高端剧集的需求不断增长而发生了转变。除了制片公司经济稳定方面的积极发展外,随着对新内容的需求不断增长,挑战也在显现。本文介绍了最近的三个中心发展,通过对四位当地制片人的采访以及对行业和媒体报道的分析。首先,新的参与者进入了市场,并引入了新的国内外融资机会。第二,通过制片公司新的国际焦点,国际合作制片的机会增加了。最后,芬兰对视听产业的生产激励措施的引入,使更多雄心勃勃的项目得以实施。这些发展导致了该行业目前面临的两个主要挑战:即将缺乏经验丰富的工作人员,以及需要修改编剧、开发和制作的做法。
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来源期刊
Journal of Scandinavian Cinema
Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
33.30%
发文量
8
期刊介绍: Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.
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