Religion und Resonanz

IF 0.1 4区哲学 0 RELIGION

ZEITSCHRIFT FUR RELIGIONS-UND GEISTESGESCHICHTE Pub Date : 2022-07-25 DOI:10.1163/15700739-07403002

S. Gärtner

引用次数: 0

Abstract

This article examines the religious functions of the Dutch performance practice of Johann Sebastian Bach’s St. Matthew Passion. It introduces the phenomenon itself, points out its religious and ritual significance in the post secular Netherlands, and interprets the passion play with Hartmut Rosa’s social theory. A conclusion about resonance as the common third between religious and aesthetic experiences rounds off the study.

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宗教与共鸣

本文考察了约翰·塞巴斯蒂安·巴赫的《马太受难曲》在荷兰的演奏实践中的宗教功能。介绍了这一现象本身，指出了它在后世俗荷兰的宗教和仪式意义，并用哈特穆特·罗莎的社会理论解释了这一激情游戏。关于共鸣作为宗教和审美体验之间的共同三分之一的结论使研究更加圆满。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ZEITSCHRIFT FUR RELIGIONS-UND GEISTESGESCHICHTE RELIGION-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Zeitschrift für Religions- und Geistesgeschichte was founded in 1948. It has a longstanding tradition and is one of the most outstanding journals in the humanities of the German-speaking world. Today, it is a forum for interdisciplinary research and scholarly dialogue in the fields of religious and intellectual history. The Zeitschrift für Religions- und Geistesgeschichte is a peer-reviewed journal and comprises original papers, miscellanea and reviews both in German and English from the crossroads of philosophy, the history of religions, cultural studies, theology, ethnology, European history, the history of art and the history of the sciences.