Doing, Having, and Getting Work: Acting as Creative Labour

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
P. McDonald
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引用次数: 0

Abstract

ABSTRACT In what ways does acting represent a form of work? From one perspective, the work of acting is taken to mean exercising artistic and creative craft: the techniques, actions, and procedures involved with portraying a character. Yet acting also means employment, the state of being ‘in work’ for pay. Once we begin to think about acting as a job, however, we must acknowledge how endemic job insecurity routinely sees actors regularly experiencing unemployment, and so working to get work. A holistic account of acting-as-work must therefore appreciate the distinctive characteristics of doing acting work while also recognizing how cultural industries shape conditions for having that work, creating consequent demands on getting work. By presenting this tripartite model, this article proposes a few pointers towards thinking about acting as creative labour.
做、拥有和获得工作:作为创造性劳动
表演在哪些方面代表了一种工作形式?从一个角度来看,表演的工作意味着艺术和创造性的技巧:描绘角色所涉及的技术、动作和过程。然而,表演也意味着就业,即为了报酬而“工作”的状态。然而,一旦我们开始将表演视为一份工作,我们就必须承认,普遍存在的工作不安全感会让演员经常经历失业,因此他们会努力找工作。因此,对作为工作的表演的整体描述必须欣赏表演工作的独特特征,同时也要认识到文化产业如何塑造工作的条件,并由此产生对工作的需求。通过提出这个三方模型,本文提出了一些关于思考作为创造性劳动的建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Italianist
Italianist HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
11
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