“Estou aqui fazendo um filme”

J. M. Luiz
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引用次数: 0

Abstract

The documentary Osvaldao (2014) portrays the trajectory of Osvaldo Orlando da Costa, one of the most important characters of the Guerrilha do Araguaia (1972-1974). Its production is linked to the Mauricio Grabois Foundation, linked to the Communist Party of Brazil (PC do B), to which the militants who worked in Araguaia belonged. Black and communist, Osvaldao lost his life in the eastern Brazilian Amazon, where he carried out militant work for about eight years. In the article, we seek to problematize the representations that the film builds in relation to the guerrilla life story and how race relations were portrayed. We tried to understand the choices made by the filmmakers regarding the frameworks given to the trajectory of the biographer, based on disputes over memory in force in Brazil in those years starting in the decade of 2010. Notably, the clashes over the memory of the dictatorship and the sub- representation of blacks in narratives that deal with national history.
“我在这里拍电影”
纪录片《奥斯瓦尔道》(2014年)描绘了奥斯瓦尔多·奥兰多·达科斯塔的轨迹,他是阿瓜亚游击队最重要的角色之一(1972年至1974年)。它的制作与毛里西奥·格拉博伊斯基金会有关,该基金会与在阿拉瓜亚工作的武装分子所属的巴西共产党有联系。奥斯瓦尔道是一名黑人和共产主义者,他在巴西亚马逊东部丧生,在那里他从事了大约八年的军事工作。在这篇文章中,我们试图质疑这部电影与游击队的生活故事以及种族关系是如何被描绘的。我们试图了解电影制作人对传记作者轨迹框架的选择,这些选择是基于从2010年开始在巴西发生的关于记忆的争议。值得注意的是,在涉及国家历史的叙事中,关于独裁统治的记忆和黑人的次要代表性的冲突。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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12 weeks
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