Slow-mo: the violent art of Oscar Murillo

IF 0.3 Q3 LAW

Law and Humanities Pub Date : 2022-07-03 DOI:10.1080/17521483.2022.2123620

Óscar Guardiola-Rivera

引用次数: 0

Abstract

ABSTRACT This essay explores Afro-Colombian artist Oscar Murillo’s practice and process as an instance of ‘fantastic critique’. Animated by an ongoing exchange between the artist and the author about art & human rights, trade and place, protest and action, including the 2021 General strike in Colombia, it aims to situate emerging notions of justice in the intersection between artistic practices and ethical-political acts, asking if and how art can engage with questions of the violence of race and class in the twenty-first century.

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慢动作:奥斯卡·穆里略的暴力艺术

本文探讨了非裔哥伦比亚艺术家奥斯卡·穆里略的实践和过程，作为“梦幻批评”的一个例子。在艺术家和作者之间关于艺术与人权、贸易与场所、抗议与行动(包括2021年哥伦比亚总罢工)的持续交流的推动下，该展览旨在将新兴的正义概念置于艺术实践与道德政治行为的交叉点上，探讨艺术是否以及如何参与21世纪种族和阶级暴力问题。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Law and Humanities LAW-

CiteScore

1.00

自引率

0.00%

发文量

期刊介绍： Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.