Saraga: Open Datasets for Research on Indian Art Music

IF 0.6 0 MUSIC
A. Srinivasamurthy, Sankalp Gulati, Rafael Caro Repetto, Xavier Serra
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引用次数: 6

Abstract

We introduce two large open data collections of Indian Art Music, both its Carnatic and Hindustani traditions, comprising audio from vocal concerts, editorial metadata, and time-aligned melody, rhythm, and structure annotations. Shared under Creative Commons licenses, they currently form the largest annotated data collections available for computational analysis of Indian Art Music. The collections are intended to provide audio and ground truth for several music information research tasks and large-scale data-driven analysis in musicological studies. A part of the Saraga Carnatic collection also has multitrack recordings, making it a valuable collection for research on melody extraction, source separation, automatic mixing, and performance analysis. We describe the tenets and the process of collection, annotation, and organization of the data. We provide easy access to the audio, metadata, and the annotations in the collections through an API, along with a companion website that has example scripts to facilitate access and use of the data. To sustain and grow the collections, we provide a mechanism for both the research and music community to contribute additional data and annotations to the collections. We also present applications with the collections for music education, understanding, exploration, and discovery.
Saraga:印度艺术音乐研究的开放数据集
我们介绍了印度艺术音乐的两个大型开放数据集,包括卡纳蒂克和印度斯坦传统音乐,包括声乐音乐会的音频,编辑元数据,以及与时间一致的旋律,节奏和结构注释。它们在知识共享许可下共享,目前形成了可用于计算分析印度艺术音乐的最大注释数据集。这些集合旨在为几个音乐信息研究任务和音乐学研究中的大规模数据驱动分析提供音频和地面真相。Saraga Carnatic收藏的一部分也有多轨录音,使其成为旋律提取,源分离,自动混音和性能分析研究的宝贵收藏。我们描述了数据收集、注释和组织的原则和过程。我们通过API提供了对集合中的音频、元数据和注释的简单访问,以及一个带有示例脚本的配套网站,以方便访问和使用数据。为了维持和增加收藏,我们为研究和音乐社区提供了一种机制,以向收藏贡献额外的数据和注释。我们也展示了音乐教育、理解、探索和发现的应用程序。
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