{"title":"Reminiscences – a space of memory (Based on the film Childhood Memories by Elisabeta Bostan)","authors":"Violeta Tipa","doi":"10.52603/arta.2021.30-2.14","DOIUrl":null,"url":null,"abstract":"Ion Creangă’s “Childhood Memories”, the most complex and significant work of the classic of Romanian literature, has so far known a single screening, that of the director Elisabeta Bostan from Romania. The film, with the same title, highlights a landscape as authentic as possible of the time, morals, customs and traditions and reflects the national identity. Or else, the memories of the writer, the main character of the film, about his childhood, his native village, villagers, etc., remain a living expression of the time. The drama organically combines two timeframes and spaces: that of Nică’s childhood, spent in the picturesque landscapes of Humulești, and the second that of the writer Ion Creangă, who listed his memories in the “bojdeuca (hut)” from Țicău. The director remains faithful to Creanga’s text, to the same colorful language full of expressions characteristic of Moldovan speech, and creates a universe similar to that of the mid-nineteenth century. The film Memories from Childhood (1965), considered by critics to be the “bridgehead of screening”, remained “in the English Academy and the Los Angeles Museum of the Arts – as a reference film in the field of screenings”.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52603/arta.2021.30-2.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Ion Creangă’s “Childhood Memories”, the most complex and significant work of the classic of Romanian literature, has so far known a single screening, that of the director Elisabeta Bostan from Romania. The film, with the same title, highlights a landscape as authentic as possible of the time, morals, customs and traditions and reflects the national identity. Or else, the memories of the writer, the main character of the film, about his childhood, his native village, villagers, etc., remain a living expression of the time. The drama organically combines two timeframes and spaces: that of Nică’s childhood, spent in the picturesque landscapes of Humulești, and the second that of the writer Ion Creangă, who listed his memories in the “bojdeuca (hut)” from Țicău. The director remains faithful to Creanga’s text, to the same colorful language full of expressions characteristic of Moldovan speech, and creates a universe similar to that of the mid-nineteenth century. The film Memories from Childhood (1965), considered by critics to be the “bridgehead of screening”, remained “in the English Academy and the Los Angeles Museum of the Arts – as a reference film in the field of screenings”.
Ion Creangă的《童年回忆》是罗马尼亚文学经典中最复杂、最重要的作品,迄今为止只放映过一次,那就是来自罗马尼亚的导演Elisabeta Bostan。这部同名电影突出了一个尽可能真实的时代、道德、习俗和传统景观,并反映了民族身份。或者,作为电影主角的作家对童年、家乡村庄、村民等的记忆,仍然是时代的生动表达。该剧将两个时间框架和空间有机地结合在一起:尼克的童年,在胡穆勒蒂风景如画的风景中度过,第二个是作家Ion Creangă的童年,他在Țicău的“bojdeuca(小屋)”中列出了自己的回忆。导演仍然忠于科林加的文本,忠于同样丰富多彩的语言,充满了摩尔多瓦语言的特点,并创造了一个类似于19世纪中期的世界。电影《童年的回忆》(1965)被评论家认为是“放映的桥头堡”,但它仍然“保存在英国学院和洛杉矶艺术博物馆,作为放映领域的参考电影”。