{"title":"Designing against Infrastructures of Harm: Introduction","authors":"S. Agid, P. Austin","doi":"10.1080/17547075.2023.2213094","DOIUrl":null,"url":null,"abstract":"This special issue has a kind of origin story, even if we don’t really believe in those, per se. In 2014, as a faculty member at Parsons School of Design/The New School, I (Shana) proposed a course for the University’s shared undergraduate curriculum with an extraordinarily long title: Worldmaking: Design and Designing in Social and Political Contexts. These classes bring together students from across most of The New School’s undergraduate programs, including the art, design, and business majors at Parsons; the liberal arts majors at Eugene Lang; and the jazz and drama majors at the College of Performing Arts. The idea for the class had grown from my experiences as a community organizer, my still-new practice teaching a service design studio at Parsons, and an article I’d written – for this journal (2012) – that was my first attempt to understand questions that had emerged at this intersection and wouldn’t let me go: What happens in the process of designing things (systems, services, spaces, objects, images) that encourages professional designers – and design students – to Shana Agid, Parsons School of Design (The New School). agids@newschool.edu Paula Austin, Boston University. pcaustin@bu.edu","PeriodicalId":44307,"journal":{"name":"Design and Culture","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Design and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17547075.2023.2213094","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
This special issue has a kind of origin story, even if we don’t really believe in those, per se. In 2014, as a faculty member at Parsons School of Design/The New School, I (Shana) proposed a course for the University’s shared undergraduate curriculum with an extraordinarily long title: Worldmaking: Design and Designing in Social and Political Contexts. These classes bring together students from across most of The New School’s undergraduate programs, including the art, design, and business majors at Parsons; the liberal arts majors at Eugene Lang; and the jazz and drama majors at the College of Performing Arts. The idea for the class had grown from my experiences as a community organizer, my still-new practice teaching a service design studio at Parsons, and an article I’d written – for this journal (2012) – that was my first attempt to understand questions that had emerged at this intersection and wouldn’t let me go: What happens in the process of designing things (systems, services, spaces, objects, images) that encourages professional designers – and design students – to Shana Agid, Parsons School of Design (The New School). agids@newschool.edu Paula Austin, Boston University. pcaustin@bu.edu
这期特刊有一个起源故事,即使我们不相信这些故事本身。2014年,作为帕森斯设计学院(Parsons School of Design/The New School)的一名教员,我(shaa)为帕森斯大学的共享本科课程提出了一门课程,课程的标题非常长:世界制造:社会和政治背景下的设计和设计。这些课程汇集了新学院大部分本科专业的学生,包括帕森斯的艺术、设计和商业专业;尤金·朗学院文科专业的学生;以及表演艺术学院的爵士和戏剧专业。开设这门课的想法来自于我作为社区组织者的经历、我在帕森斯设计学院(Parsons)服务设计工作室执教的新经历,以及我为这本杂志(2012年)写的一篇文章。这篇文章是我第一次尝试理解在这个十字路口出现的问题,这些问题让我无法释怀。在设计事物(系统、服务、空间、物体、图像)的过程中发生了什么,这鼓励了专业设计师和设计专业的学生——莎娜·阿吉德,帕森斯设计学院(新学院)。agids@newschool.edu Paula Austin,波士顿大学。pcaustin@bu.edu