Walking between two worlds: Bollywood cinema and the New Zealand-Indian identity

IF 0.3 0 ASIAN STUDIES
Nilam Patel
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引用次数: 2

Abstract

ABSTRACT Using thematic analysis, this qualitative research interrogates the influence and relevance of Bollywood cinema, Indian Hindi movies considered both a brand, a cultural artefact, and a complex industry, in shaping the cultural identities of Indian diasporic youth in Auckland. This research unpacks the extent to which Bollywood films as mediating artefact might offer connection, concatenation, or complication to diasporic youths as they negotiate and locate their hybrid cultural identities through their daily lived experience away from India. Diasporic youths called out the dissonance, they felt between depiction of Indianness in Bollywood and their way of life now. Others, when invested in specific and contextual Bollywood phenomena in their lived experience through dance performances and subsequently reaping monetary or social benefits, presented a different perspective. To them, Bollywood cinema offered a desired comforting manifestation and celebration of their Indianness. The findings thus far affirm that the myriad of views, sometimes conflicting, still underscore the vitality and vibrancy of Bollywood cinema amongst diasporic youths in Auckland.
游走在两个世界之间:宝莱坞电影和新西兰-印度身份
摘要通过主题分析,本定性研究探讨了宝莱坞电影在塑造奥克兰印度散居青年文化身份方面的影响和相关性。宝莱坞是印度印地语电影,被视为一个品牌、一件文化艺术品和一个复杂的产业。这项研究揭示了宝莱坞电影作为中介艺术品,在多大程度上可能会为流散的年轻人提供联系、串联或复杂性,因为他们通过远离印度的日常生活经历来谈判和定位自己的混合文化身份。散居的年轻人喊出了这种不和谐,他们在宝莱坞对印度人的描述和他们现在的生活方式之间感到不和谐。其他人在通过舞蹈表演的生活体验中投资于特定的和背景的宝莱坞现象,并随后获得金钱或社会利益时,则呈现出不同的视角。对他们来说,宝莱坞电影为他们的印度血统提供了一种令人欣慰的表现和庆祝。迄今为止的研究结果证实,无数的观点,有时是相互矛盾的,仍然强调了宝莱坞电影在奥克兰流散青年中的活力和活力。
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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