From ‘Trucfilm’ to ‘Animatiefilm’: How the Emergence of Animation as a New Artistic Form Is Reflected in Dutch Terminology

IF 0.3 2区艺术学 0 FILM, RADIO, TELEVISION

Animation-An Interdisciplinary Journal Pub Date : 2022-03-01 DOI:10.1177/17468477221085411

M. Peters

引用次数: 0

Abstract

Before 1940, the influence of foreign films, filmmakers and film networks on film culture in the Netherlands was substantial. This article investigates how various Dutch professionals within the fields of film production, distribution, exhibition and reception referred to animation film, in a period when this term was not part of the Dutch language. From early on, animation film was recognized as being ‘intrinsically different’ from live-action film and, along with the gradual emergence of this new artistic form, a corresponding language to support it evolved, influenced by language contacts in various contexts in the multilingual landscape in Europe. From the first singular appearances in 1913, a more form-specific terminology had gradually developed by 1940. During the same time, animation film steadily proceeded to occupy its permanent place in Dutch film culture.

查看原文本刊更多论文

从“卡车电影”到“动画电影”:动画作为一种新的艺术形式是如何在荷兰术语中反映出来的

1940年之前，外国电影、电影制作人和电影网络对荷兰电影文化的影响是巨大的。本文调查了电影制作、发行、展览和接待领域的各种荷兰专业人士是如何提到动画电影的，当时这个词还不是荷兰语的一部分。从早期开始，动画电影就被认为与真人电影“本质上不同”，随着这种新艺术形式的逐渐出现，在欧洲多语言环境中各种语言接触的影响下，相应的语言也随之演变。从1913年的第一次单数出现开始，到1940年，一个更具体的术语逐渐发展起来。与此同时，动画电影在荷兰电影文化中稳步占据了永久的地位。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-

CiteScore

0.70

自引率

25.00%

发文量

期刊介绍： Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.