Possible approaches to deciphering Russian ancient Znamenny chant

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
V. Gusev, I. V. Bakhmutova, L. A. Miroshnichenko, T. N. Titkova
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引用次数: 0

Abstract

In this article we provide approaches to translating into modern music notation Znamenny Russian Church chants, written in neumatic (“znamenny” or “hook”) notation. Neumes are sequences of notes of varying lengths, that correspond to singing one syllable of old Slavonic verse. Starting in 17th century, neumes were supplemented with pomjeta facilitating mapping into modern music notation. Manuscripts from earlier periods have no pomjeta and are thus not readable today. This paper introduces computer-based approaches to the reconstruction of znamenny notation without pomjeta into modern music notation. These approaches are trained on dvojyeznamenniks but can be applied to manuscripts without pomjeta.
解读俄罗斯古代赞美诗的可能方法
在这篇文章中,我们提供了将俄罗斯教堂圣歌翻译成现代音乐符号的方法,这些圣歌是用气动(“Znamenny”或“hook”)符号写成的。Neumes是一系列不同长度的音符,对应于古老斯拉夫诗歌的一个音节。从17世纪开始,neumes被添加了pomjeta,有助于映射到现代乐谱中。早期的手稿没有pomjeta,因此今天无法阅读。本文介绍了基于计算机的方法,将没有pomjeta的znamenny记谱法重建为现代音乐记谱法。这些方法是在dvojyeznamenniks上训练的,但可以应用于没有pomjeta的手稿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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