Surfacing: For our survival and our joy

Q4 Arts and Humanities
Tumi Mampane
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Abstract

abstract In this perspective, I reflect on the surface, as articulated in Desiree Lewis and Gabeba Baderoon’s (2021) edited collection, Surfacing: On Being Black and Feminist in South Africa. To surface, in the first instance, is an engagement with my own points of entry in Black feminist scholarship and further, implicated in the range of methods in praxis within the book, a means by and through which situating myself, also offered as ‘positionings’ orients Black feminist, or Blackwomen in my usage, in the work of knowledge production. Surfacing also situates Blackwomen’s knowledge production, reorienting – ‘unmaking’, ‘homing’ – the locus of Black feminist scholarship from the dominance of the global North. I have explored ‘Home’ as an inside/outside situation that illuminates Black feminist and Blackwomen’s approaches to making knowledge, a practice of writing that deeply resonates with the vantage points of a praxis of surfacing.
冲浪:为了我们的生存和快乐
在这个视角下,我反思了表面,正如Desiree Lewis和Gabeba Baderoon(2021)编辑的合集《表面:南非的黑人和女权主义者》所阐述的那样。首先,浮出水面是对我自己在黑人女权主义学术中的切入点的参与,此外,还涉及到书中实践的一系列方法,这是一种定位我自己的手段,也被称为“定位”,在知识生产工作中定位黑人女权主义者,或我使用的黑人妇女。表面处理也定位于黑人女性的知识生产,重新定位——“揭露”、“归巢”——黑人女权主义学术的中心,使其摆脱全球北方的主导地位。我探索了《家》,将其作为一种内部/外部的情境,阐明了黑人女权主义者和黑人女性获取知识的方法,这种写作实践与浮出水面的实践的有利位置产生了深刻的共鸣。
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AGENDA
AGENDA POETRY-
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