Queerstralia: resistance, resilience, and the gaps that remain

Q3 Arts and Humanities
Hannah McCann
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引用次数: 0

Abstract

Queerstralia is a three-part documentary series that sets out to provide an expansive account of Australia’s Lesbian, Gay, Bisexual, Transgender, Queer, Intersex, Asexual and other queer (LGBTQIAþ) histories. As the documentary makes clear early on, such a task is both daunting and far from straightforward. Not only have LGBTQIAþ stories been kept to the marginalia of history, the question of whether we ought to view the past through the lens of contemporary identity categories is also highly contested. Furthermore, there is incredible diversity within LGBTQIAþ communities, even though the acronym is frequently used in the popular imagination to refer to community in the singular. Queerstralia addresses these issues head-on, with what host comedian Zo€e Coombs Marr describes as ‘the big messy puzzle that is queer identity’. Queerstralia represents the multi-stranded nature of Australian queer histories by deploying a looping narrative approach as metaphor. This feels like an annoying comedic distraction in the first episode but comes together across the series to make a more serious political point. Rather than following a neat chronological trajectory, the three episodes are organised thematically, looking at ‘The Law’, ‘Gender and Identity’ and ‘Community and Belonging’. After some exposition, the series begins with Peter de Waal searching meticulously through old court records from the 1860s to find examples of ‘sodomy’ and ‘buggery’. The series ends on a hopeful note about how queer people were galvanised by the AIDS crisis. In this way, though the presentation of history is non-linear and implicitly critical of an oversimplified ‘progress narrative’, the tone is optimistic and emphasises resilience and resistance over persecution. The documentary involves interviews with a brilliant array of Australian thinkers and activists from across the LGBTQIAþ spectrum and provides some marvellous archival stories and footage of queer lives and events in our history. It is unusual and exciting to see Australian queer history centred, given the typical North Americanand Euro-centrism of many other narratives of queer life. The series includes incredible
酷儿澳大利亚:抵抗,恢复力,和仍然存在的差距
Queerstralia是一部由三部分组成的纪录片系列,旨在对澳大利亚的女同性恋、男同性恋、双性恋、变性人、酷儿、双性恋者、无性恋者和其他酷儿(LGBTQIAþ)历史进行广泛的描述。正如纪录片早期明确指出的那样,这样的任务既艰巨又远非易事。LGBTQIA的故事不仅被历史边缘化了,我们是否应该从当代身份类别的角度来看待过去的问题也备受争议。此外,LGBTQIAþ社区内部存在着令人难以置信的多样性,尽管在流行的想象中,这个首字母缩写经常用来指代单数形式的社区。Queerstralia正面解决了这些问题,主持人喜剧演员Zo€e Coombs Marr将其描述为“酷儿身份这一巨大而混乱的谜题”。Queerstralia通过运用循环叙事方法作为隐喻,代表了澳大利亚酷儿历史的多重搁浅性质。在第一集中,这感觉像是一种令人讨厌的喜剧消遣,但在整个系列中,这是为了表达一个更严肃的政治观点。这三集没有遵循整齐的时间轨迹,而是按主题组织,分别关注“法律”、“性别与身份”和“社区与归属”。经过一些阐述,该系列以彼得·德瓦尔(Peter de Waal)仔细搜索19世纪60年代的旧法庭记录开始,寻找“鸡奸”和“肛交”的例子。该系列以充满希望的基调结束,讲述了同性恋者是如何被艾滋病危机所激励的。通过这种方式,尽管历史的呈现是非线性的,并含蓄地批评了过于简单化的“进步叙事”,但基调是乐观的,强调了对迫害的韧性和抵抗力。这部纪录片采访了来自LGBTQIAþ各个领域的杰出澳大利亚思想家和活动家,并提供了一些精彩的档案故事和我们历史上酷儿生活和事件的镜头。鉴于许多其他酷儿生活叙事中典型的北美和欧洲中心主义,看到澳大利亚酷儿历史以中心主义为中心是不寻常和令人兴奋的。该系列包括令人难以置信的
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来源期刊
History Australia
History Australia Arts and Humanities-History
CiteScore
0.60
自引率
0.00%
发文量
103
期刊介绍: History Australia is the official journal of the Australian Historical Association. It publishes high quality and innovative scholarship in any field of history. Its goal is to reflect the breadth and vibrancy of the historical community in Australia and further afield.
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