‘Stones from another mountain’: an analysis of the cinematic significance of Hong Kong’s Storm films in China’s anticorruption campaign

IF 0.3 Q3 LAW
Alvin Hoi-Chun Hung
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引用次数: 0

Abstract

ABSTRACT When Chinese leader Xi Jinping came to power in 2012, the Chinese government adopted an anticorruption policy pledging to uproot corruption in China, and since then, an anticorruption crime film series known as the Storm films has been produced in Hong Kong and released with a progressively successful box-office performance in mainland China. The purpose of this essay is to examine the series’ role as an entertainment-based pedagogical and ideological tool within the broader socio-political context of post-2012 China. I argue that through portraying corruption in Hong Kong and the idealized role model image of anticorruption law enforcement officers, this Hong Kong film series has served to create a safe distance with which the general public in mainland China could be educated about the social harms of corruption, and could be forged with an ‘appropriate’ legal consciousness comprising complete trust, respect, and support for both the anticorruption campaign and the law itself.
《另一座山的石头》(Stones from another mountain):分析香港风暴电影在中国反腐运动中的电影意义
本文的目的是在2012年后中国更广泛的社会政治背景下,考察该系列作为一种基于娱乐的教育和意识形态工具的作用。我认为,通过描写香港的腐败和反腐败执法人员的理想化榜样形象,这部香港系列电影有助于创造一个安全的距离,让中国大陆的普通公众能够接受关于腐败的社会危害的教育,尊重和支持反腐运动和法律本身。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
21
期刊介绍: Law and Humanities is a peer-reviewed journal, providing a forum for scholarly discourse within the arts and humanities around the subject of law. For this purpose, the arts and humanities disciplines are taken to include literature, history (including history of art), philosophy, theology, classics and the whole spectrum of performance and representational arts. The remit of the journal does not extend to consideration of the laws that regulate practical aspects of the arts and humanities (such as the law of intellectual property). Law and Humanities is principally concerned to engage with those aspects of human experience which are not empirically quantifiable or scientifically predictable. Each issue will carry four or five major articles of between 8,000 and 12,000 words each. The journal will also carry shorter papers (up to 4,000 words) sharing good practice in law and humanities education; reports of conferences; reviews of books, exhibitions, plays, concerts and other artistic publications.
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