Kiss/Crash

IF 1.4 Q3 COMPUTER SCIENCE, SOFTWARE ENGINEERING

Proceedings of the ACM on computer graphics and interactive techniques Pub Date : 2023-08-12 DOI:10.1145/3597625

Adam Cole, M. Grierson

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Abstract

This paper describes the art installation of Kiss/Crash: a multi-screen work exploring the subject of AI-imagery and representation as well as the autobiographical themes of loneliness, desire, and intimacy in the digital age. The installation consists of three individual works in a shared space, Kiss/Crash, Me Kissing Me, and Crash Me, Gently, which all play with augmenting, inverting, and negating the iconic image of the kiss using diffusion-based image translation. In the production of this work, several potentially novel video translation techniques were developed and refined to create high-quality results central to these pieces. Throughout our research, we reflect on the nature of images and place diffusion models within a history of image-production technologies that artists have been contending with and responding to for the past one hundred years. This paper aims to extend that artistic tradition with a provocative, original aesthetic and technique that reveals the logic of AI imagery and hints at how our relationship to reality will continue to be stretched and shaped by artificial representations at an accelerating pace.

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亲吻/碰撞

本文描述了《吻/崩溃》的艺术装置：这是一部探索人工智能图像和表现主题以及数字时代孤独、欲望和亲密等自传体主题的多屏幕作品。该装置由共享空间中的三件作品组成，《吻/碰撞》、《我吻我》和《轻轻地碰撞我》，它们都使用基于扩散的图像翻译来增强、反转和否定接吻的标志性图像。在这部作品的制作过程中，开发并完善了几种可能新颖的视频翻译技术，以创造出这些作品的核心高质量结果。在我们的研究过程中，我们反思了图像的本质，并将扩散模型置于艺术家在过去一百年中一直在与之抗争和回应的图像制作技术史中。本文旨在通过一种挑衅性的、独创的美学和技术来扩展这一艺术传统，揭示人工智能图像的逻辑，并暗示我们与现实的关系将如何继续被人工表征以加速的速度拉伸和塑造。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Proceedings of the ACM on computer graphics and interactive techniques

CiteScore

2.90

自引率

0.00%

发文量