Photography, sport and the hegemony of men: a material(-)discursive perspective

IF 0.5 2区 历史学 Q1 HISTORY
Daniel Alsarve
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引用次数: 0

Abstract

ABSTRACT In this article, the focus is on a theoretical discussion about how to analyse masculinities and power in historical research based on imagery and visual sources from a material-discursive point of departure. The argument is that analysing photographs in sport and the material-discursive representation of men/masculinities could contribute to a broader understanding of men’s hegemony. The article adds to the field of visual literacy and connects research on visual materials, sports history and critical gender studies. The past of Swedish ice hockey constitutes the case, while the understanding of men/masculinities departs from research by Jeff Hearn, Raewyn Connell and other scholars within the critical studies on men and masculinities field. Using four specific photographs from the Swedish magazine Hockey, the analysis exemplifies how their materiality and discursivity relate to a broader cultural context of the hegemony of men and masculinities. For example, cultural dominance strategies, visual techniques that ‘activate’ a photographed (or objectified) male subject and entitlement are discussed, and how these include discursive and material meanings of masculinity, status, and domination and how such embodiments interconnect with a contextual configuration of the dominant hegemony of men.
摄影、体育和男人的霸权:一个物质(-)话语的视角
摘要本文的重点是从材料话语的角度,从意象和视觉来源的角度,对如何在历史研究中分析男性气质和权力进行理论探讨。其论点是,分析体育运动中的照片和对男性/男子气概的物质论述,有助于更广泛地理解男性的霸权。这篇文章增加了视觉素养领域,并将视觉材料、体育史和批判性性别研究的研究联系起来。瑞典冰球的过去就是这样,而对男性/男子气概的理解与Jeff Hearn、Raewyn Connell和其他学者在男性和男子气概领域的批判性研究中的研究不同。该分析使用了瑞典杂志《冰球》的四张具体照片,展示了它们的物质性和话语性如何与男性霸权和男子气概的更广泛文化背景相关联。例如,讨论了文化主导策略、“激活”被拍摄(或物化)的男性主体和权利的视觉技术,以及这些策略如何包括男性气质、地位和统治的话语和物质意义,以及这些体现如何与男性主导霸权的语境配置相互关联。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Rethinking History
Rethinking History Multiple-
CiteScore
1.20
自引率
0.00%
发文量
26
期刊介绍: This acclaimed journal allows historians in a broad range of specialities to experiment with new ways of presenting and interpreting history. Rethinking History challenges the accepted ways of doing history and rethinks the traditional paradigms, providing a unique forum in which practitioners and theorists can debate and expand the boundaries of the discipline.
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