‘I came here to do art, not English’: Antecedent subject subcultures meet current practices of writing in art and design education

Q2 Arts and Humanities
J. Rintoul
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引用次数: 1

Abstract

A writing/making divide, within the broader theory/practice myth, is part of the historical narrative in art and design education that both clashes with, and persists in, current practices of writing in art and design. The theory/practice myth separates thinking from doing, head from hand, and writing from making, causing internal frictions in art and design subjects. This article provides a historical and contextual mapping of the writing/making binary in creative practice, drawing on Ivor Goodson’s (, , , 2002) work on ‘antecedent subject subcultures’ to discuss the formation and maintenance of subject cultures and – ultimately – their potential to change.
“我来这里是为了做艺术,而不是英语”:艺术和设计教育中前所未有的学科亚文化与当前的写作实践相结合
在更广泛的理论/实践神话中,写作/制作鸿沟是艺术和设计教育中历史叙事的一部分,它与当前艺术和设计写作实践相冲突,并持续存在。理论/实践神话将思维与实践、头脑与手、写作与制作分离开来,导致艺术和设计学科内部摩擦。本文借鉴Ivor Goodson(,2002)关于“先行主体亚文化”的著作,对创作实践中的写作/制作二元关系进行了历史和语境映射,以讨论主体文化的形成和维持,以及最终改变的潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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