{"title":"‘Lonely night watchman’s art’: Circuits of exclusion, C-grade film and hybrid aesthetics of Miss Lovely","authors":"Ramna Walia","doi":"10.1386/SAFM.9.1.35_1","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"9 1","pages":"35-58"},"PeriodicalIF":0.0000,"publicationDate":"2018-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in South Asian Film and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/SAFM.9.1.35_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}