Two days, twenty outfits: Coachella attendees’ visual presentation of self and experience on Instagram

Q1 Arts and Humanities
Kyser Lough
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引用次数: 1

Abstract

Abstract This study uses a visual discourse analysis to explore the self-construction of presence and experience at events such as a music festival, theoretically guided by presentation of self and how users curate this via multimodal, visual-focussed social media posts. Real-time, location-based, public posts from events act as a new form of visually-embedded culture in how individuals present themselves and their experiences. An analysis of 200 location-tagged Instagram posts from attendees at the 2017 Coachella music festival reveals attendees care less about sharing photos of the music and more about curating a visual sense of taste, embrace and place. This focus on self-presentation is explored through themes such as seeing more full-body images than selfies in order to emphasise festival fashion, use of the ‘plandid’ (planned candid) to add a sense of spontaneity, and use of chronological and geographic tags to establish physical presence in time and place.
两天,二十套服装:科切拉参加者在Instagram上的自我和体验的视觉呈现
本研究使用视觉话语分析来探索音乐节等活动中自我呈现的自我建构,以及用户如何通过多模态、以视觉为中心的社交媒体帖子来策划这种自我建构。实时的、基于位置的、来自事件的公开帖子作为一种新的视觉嵌入文化形式,体现了个人如何展示自己和他们的经历。一项对2017年科切拉音乐节(Coachella music festival)参与者在Instagram上发布的200条位置标签的分析显示,参与者不太关心分享音乐照片,而是更关心如何营造一种视觉上的品味、拥抱和地点感。这种对自我展示的关注是通过以下主题来探索的:为了强调节日时尚,更多地看到全身照片,而不是自拍;使用“有计划的偷拍”来增加自发性;使用时间和地理标签来建立时间和地点的物理存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Visual Literacy
Journal of Visual Literacy Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
0.00%
发文量
12
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