Digital audio technology in music teaching and learning: A preliminary investigation

IF 0.6 0 MUSIC
Jonathan Kladder
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引用次数: 6

Abstract

The inclusion of digital audio technology for sampling, editing, mixing and producing music in formal music classrooms has been considered a needed area of expansion across the music teaching and learning landscape. Current research suggests that music technology, defined broadly, is often disregarded in many music classrooms. However, the ubiquity of music technology suggests its relevancy in the digital age, especially for sampling editing, mixing and producing music. The purpose of this research was to survey the current climate of music education across all levels of instruction, with a special focus on teaching digital audio technology using MIDI controllers and audio production techniques. A researcher-developed survey was distributed to a population of music teachers across the United States (N=83). Results found that participants taught few digital audio technology concepts, used Garageband extensively, were self-taught, relied on out-of-date hardware and used a variety of MIDI controllers. Implications for music education and considerations for additional research are provided in conclusion.
数字音频技术在音乐教学中的应用初探
在正式的音乐教室中,将数字音频技术用于音乐的采样、编辑、混音和制作,被认为是音乐教学和学习领域需要扩展的领域。目前的研究表明,在许多音乐课堂上,广义的音乐技术往往被忽视。然而,音乐技术的普遍性表明了它在数字时代的相关性,尤其是在采样编辑、混音和制作音乐方面。本研究的目的是调查各级教学中音乐教育的现状,特别关注使用MIDI控制器和音频制作技术教授数字音频技术。一项由研究人员开发的调查被分发给了美国各地的音乐教师(N=83)。结果发现,参与者很少教授数字音频技术概念,广泛使用Garageband,自学成才,依赖过时的硬件,并使用各种MIDI控制器。结论中提供了对音乐教育的启示和对进一步研究的考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.40
自引率
0.00%
发文量
6
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