Zero Zone Praxis as Conscious Creative Cultivation

IF 0.1 0 RELIGION
Tamur Tohver
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引用次数: 1

Abstract

Zero Zone praxis (ZZ) can increase a performer’s craft and personal life quality, thereby satisfying the need for personal enhancement—a need that recent writings about performing arts and executive coaching have identified. ZZ is designed to improve the ability to avoid the detrimental effects of stage fright that often rest on the actor-director dyad, via expanding consciousness and focus guiding. ZZ includes external and internal psychosomatic actor training and intellectual appreciation of consciousness as derived from yoga philosophy and practice and from coaching. This essay is a discussion of the need to develop an elevated internal state of the performer, to unlock the blockages in the performer and in a spectator’s reception. I introduce here a critical review of scholars’ findings and my personal, practical experiences of forty years in Stanislavskian and physical theatre-making, self-cultivation coaching, and yoga.
零区实践作为有意识的创造性培养
零区实践(Zero Zone practice, ZZ)可以提高表演者的技艺和个人生活质量,从而满足个人提升的需求——最近有关表演艺术和高管培训的文章已经确定了这种需求。ZZ旨在通过扩展意识和焦点引导来提高避免怯场的能力,怯场往往会对演员和导演的组合造成不利影响。ZZ包括外部和内部身心演员训练,以及源于瑜伽哲学和实践以及教练的意识的智力欣赏。这篇文章讨论了需要发展一种提升的表演者内部状态,以解开表演者和观众接受中的障碍。在这里,我将对学者们的研究成果和我个人40年来在斯坦尼斯拉夫斯基式和物理戏剧制作、自我修养指导和瑜伽方面的实践经验进行批判性的回顾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.20
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0.00%
发文量
12
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