Uprooted Memories

IF 0.8 Q2 AREA STUDIES
Zainab Saleh
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引用次数: 0

Abstract

This article examines two documentaries on Iraqi Jews, Forget Baghdad and Remember Baghdad, that focus on the expulsion of Iraqi Jews from Iraq and their lives in Israel and Britain. The exile of Jews from Iraq heralded the end of a vibrant social and political space that Iraqi Jews shared with fellow Iraqis. This article argues that by focusing on questions of forgetting and remembering, the two documentaries foreground memory and nostalgia as sites to explore issues related to home, dislocation, and subjectivity at physical and symbolic levels. Moreover, the acts of remembrance in the films emerge as a dynamic terrain upon which political, generational, and class differences were inscribed and invoked. Iraqi Jews found themselves trapped within a binary framework of Arab nationalistic and Zionist discourses whereby Arabness and Jewishness emerged as an antithesis and denoted otherness, and their position within nation-states became unintelligible. The films, however, reconstruct, in different ways, the possibilities where Arabness, Jewishness, and Iraqiness could overlap, live side by side, and challenge national narratives. Reading the films alongside each other challenges any monolithic or essentialist narratives about an Iraqi Jewish experience by shedding light on the diversity of political projects among Iraqi Jews.
根深蒂固的记忆
本文考察了两部关于伊拉克犹太人的纪录片《忘记巴格达》和《记住巴格达》,这两部纪录片聚焦于将伊拉克犹太人驱逐出伊拉克以及他们在以色列和英国的生活。犹太人从伊拉克流亡预示着伊拉克犹太人与伊拉克同胞共享的充满活力的社会和政治空间的终结。本文认为,通过关注遗忘和记忆的问题,这两部纪录片将记忆和怀旧作为在物理和象征层面探索与家、错位和主体性相关问题的场所。此外,电影中的纪念行为是一个动态的地形,政治、代际和阶级差异都被记录和援引。伊拉克犹太人发现自己被困在阿拉伯民族主义和犹太复国主义话语的二元框架中,在这个框架中,阿拉伯性和犹太性成为对立,并表示另类,他们在民族国家中的地位变得难以理解。然而,这些电影以不同的方式重建了阿拉伯人、犹太人和伊拉克人可以重叠、并肩生活并挑战国家叙事的可能性。同时阅读这些电影,通过揭示伊拉克犹太人政治项目的多样性,挑战了任何关于伊拉克犹太人经历的单一或本质主义叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
54
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