Michelle Chamblin, Shalinie Sarju, Laura L. Wood, Nafeeza Uddin-Schmidt
{"title":"Addressing racism and restoring justice: A theatre and education-based approach to community mental wellness","authors":"Michelle Chamblin, Shalinie Sarju, Laura L. Wood, Nafeeza Uddin-Schmidt","doi":"10.1386/atr_00063_1","DOIUrl":null,"url":null,"abstract":"This mixed-methods study explored the impact of a theatre-based community mental health and education initiative to address racism. Comparisons were examined between participants who either just saw a musical that centred on the theme of racism, or who saw the same musical and partook\n in a post-show experiential workshop that used restorative justice practices and drama therapy/applied theatre exercises. The results established that participants who saw the show and attended the post-show workshop (n = 38), in comparison to participants who only saw the show (n = 69), significantly\n (p = .001) agreed that the combined experience allowed them to reflect on biases and other forms of discrimination. Researchers also discovered that age and gender yielded considerable differences across groups. Additionally, there were five themes that were derived from the applied thematic\n analysis. Participants reported: (1) increased knowledge; (2) that they felt emotions; (3) that they connected with others; (4) that they experienced personal transformation in the here and now; and (5) that they were inspired to enact change. These qualitative themes supported quantitative\n analysis, which concluded that, while the theatre experience alone was impactful, the workshop augmented the central message and cultivated participants’ deeper reflections.","PeriodicalId":41248,"journal":{"name":"Applied Theatre Research","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Applied Theatre Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/atr_00063_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 1
Abstract
This mixed-methods study explored the impact of a theatre-based community mental health and education initiative to address racism. Comparisons were examined between participants who either just saw a musical that centred on the theme of racism, or who saw the same musical and partook
in a post-show experiential workshop that used restorative justice practices and drama therapy/applied theatre exercises. The results established that participants who saw the show and attended the post-show workshop (n = 38), in comparison to participants who only saw the show (n = 69), significantly
(p = .001) agreed that the combined experience allowed them to reflect on biases and other forms of discrimination. Researchers also discovered that age and gender yielded considerable differences across groups. Additionally, there were five themes that were derived from the applied thematic
analysis. Participants reported: (1) increased knowledge; (2) that they felt emotions; (3) that they connected with others; (4) that they experienced personal transformation in the here and now; and (5) that they were inspired to enact change. These qualitative themes supported quantitative
analysis, which concluded that, while the theatre experience alone was impactful, the workshop augmented the central message and cultivated participants’ deeper reflections.
期刊介绍:
Applied Theatre Research is the worldwide journal for theatre and drama in non-traditional contexts. It focuses on drama, theatre and performance with specific audiences or participants in a range of social contexts and locations. Contexts include education, developing countries, business and industry, political debate and social action, with children and young people, and in the past, present or future; locations include theatre which happens in places such as streets, conferences, war zones, refugee camps, prisons, hospitals and village squares as well as on purpose-built stages. The primary audience consists of practitioners and scholars of drama, theatre and allied arts, as well as educationists, teachers, social workers and community leaders with an awareness of the significance of theatre and drama, and an interest in innovative and holistic approaches to theatrical and dramatic production, learning and community development. Contributors include eminent and experienced workers and scholars in the field, but cutting-edge contemporary and experimental work from new or little-known practitioners is also encouraged. This double-blind peer-reviewed journal has a global focus and representation, with an explicit policy of ensuring that the best and most exciting work in all continents and as many countries as possible is represented and featured. Cultural, geographical, gender and socio-economic equity are recognised where possible, including in the Review Board.