From Prism to Kaleidoscope: Effect Versus Intention in the Conservation of Contemporary Art

IF 0.7 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Journal of the American Institute for Conservation Pub Date : 2021-07-03 DOI:10.1080/01971360.2021.1968594

Muriel Verbeeck

引用次数: 0

Abstract

ABSTRACT Artist’s intention is not an unambiguous concept in conservation. It is used to focus on the aesthetic function of the work and its intentional effect. To understand the artwork in order to transmit its meaning, the conservator must therefore become a “receptor” and “read” the stimuli created by the artist as objectively and sensitively as possible. This article includes a draft methodology ranging from taking inventory of the effects to documenting their nomenclature. Artist’s intention can be seen as a prism, but for a complex artwork, conservators also need to use a kaleidoscope of perceptions.

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从棱镜到万花筒:当代艺术保护的效果与意图

摘要艺术家的意图并不是一个明确的保护概念。它被用来关注作品的美学功能及其意向效果。因此，为了理解艺术品以传递其意义，保护人必须成为“受体”，并尽可能客观、敏感地“阅读”艺术家创造的刺激。这篇文章包括一个方法草案，从盘点影响到记录其命名。艺术家的意图可以被视为一个棱镜，但对于一件复杂的艺术品，保护人也需要使用万花筒般的感知。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of the American Institute for Conservation HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.30

自引率

0.00%

发文量

期刊介绍： The American Institute for Conservation is the largest conservation membership organization in the United States, and counts among its more than 3000 members the majority of professional conservators, conservation educators and conservation scientists worldwide. The Journal of the American Institute for Conservation (JAIC, or the Journal) is the primary vehicle for the publication of peer-reviewed technical studies, research papers, treatment case studies and ethics and standards discussions relating to the broad field of conservation and preservation of historic and cultural works. Subscribers to the JAIC include AIC members, both individuals and institutions, as well as major libraries and universities.