GRAMMAR OF THE DETECTIVE GENRE

D. Milutinović
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Abstract

The paper describes the grammar of the detective genre. This is done on the basis of formalist-structuralist poetics, by extracting the actants of detective syntax. It involves: the plot, enigma, secret, solution, crime, and the detective. The plot is determined both on the basis of the main stages of the detective narrative (crime, investigation, explanation) and depending on the reader's reading experience. An enigma is the absence of information about someone/something, but it is also part of the plot - it hides events which led to a specific crime. The secret is connected with the enigma and concerns both the crime and the detective. The solution is considered by many to be the most important feature of the detective genre, which has a distinctly ideological character. A crime is a motive, not a goal - it happens outside the text, and is transmitted through the text. The detective is a distinctive figure of this genre, determined by intellectual and scientific abilities, but also by eccentricity and fragmentation.
侦探小说的语法
本文描述了侦探体裁的语法。这是在形式主义-结构主义诗学的基础上,通过提取侦探句法的行动者来完成的。它包括:情节、谜、秘密、解决方案、犯罪和侦探。情节的确定既取决于侦探叙事的主要阶段(犯罪、调查、解释),也取决于读者的阅读经验。谜是指关于某人/某事的信息的缺失,但它也是情节的一部分——它隐藏了导致特定犯罪的事件。这个秘密与谜团有关,既关系到犯罪,也关系到侦探。许多人认为,这种解决方法是侦探小说最重要的特点,它具有明显的意识形态特征。犯罪是一种动机,而不是目的——它发生在文本之外,并通过文本传播。侦探是这类小说中与众不同的人物,他既有智慧和科学才能,也有古怪和支离破碎的性格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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