Shan Ameng, Shaanxi Songs of a Boudoir Beauty (Also known as Zither Songs of a Boudoir Beauty or Marital Harmony and credited to Pu Songling)

Q2 Arts and Humanities

CHINOPERL: Journal of Chinese Oral and Performing Literature Pub Date : 2021-07-01 DOI:10.1353/cop.2021.a800144

W. L. Idema

引用次数: 0

Abstract

Abstract:This article provides a full translation of Guiyan Qinsheng (Shaanxi Songs of a Boudoir Beauty). This text, made up of songs and verse and arranged in ten chapters, provides a detailed first-person narrative of the feelings of a young girl as she matures from a teenager eager to get married to a happy bride, in the process shedding her innocence and turning into a manipulative tease. It stands out for the relative openness with which it describes female sexuality. The introduction focuses on the disputed authorship of this text. While the earliest known printings credit Guiyan Qinsheng to a certain Shan Ameng, the text, under a slightly different title, has also been studied and published in recent decades as one of the rustic songs of Pu Songling (1640–1715).

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单阿蒙《陕西闺秀歌》

摘要：本文提供了《陕西闺阁歌》的全译本。这篇由歌曲和诗歌组成，分为十章，以第一人称详细叙述了一个年轻女孩从渴望结婚的青少年到幸福新娘的成熟过程，在这个过程中，她摆脱了天真，变成了一个操纵性的调侃。它以相对开放的方式描述女性的性取向而引人注目。引言的重点是有争议的作者。虽然已知最早的版画将《归雁琴声》归功于某个单阿蒙，但近几十年来，作为蒲松龄（1640–1715）的乡村歌曲之一，该文本的标题略有不同，也被研究和出版。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CHINOPERL: Journal of Chinese Oral and Performing Literature Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.