Ukrainian Symbolism in the Design of Stage Projects of the War Period

Daryna Vakulenko
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Abstract

The purpose of the article is to clarify the peculiarities of the use of Ukrainian symbols in the design of modern stage projects of a patriotic direction, in particular those that have taken place during the armed aggression of the Russian Federation in Ukraine since 2014. The research methodology involves the use of semiotic analysis to determine the semantics of images based on Ukrainian symbols; as well as art historical analysis to identify design techniques and tools that achieve the transformation of the symbolic content of a stage project. The scientific novelty of the article is to identify the figurative specifics of the use of Ukrainian symbols in the design of the identity of stage projects implemented during the armed aggression of the Russian Federation. The polysemantic nature of images based on national symbols and their ability to undergo laconic transformations, which allows transforming the meaning of antiquity into modern meanings, are revealed. Such signs acquire a new meaning and expressiveness in the current context, the context of an armed war that encroaches on the very existence of the Ukrainian state. Conclusions. The results of the study show actual changes in the design of stage projects during the military aggression by the Russian Federation. Directors and artists are increasingly turning to Ukrainian symbols based on folk archetypes and ethnic motifs. This can be observed both in the graphic conceptual design and in the emotional messages of the images based on the symbols of Ukrainian identity. It was found that each graphic element has its own meaning and associations that can be used to convey certain emotions and moods. The study found that the use of Ukrainian symbols in stage design can be an effective tool in the struggle for national identity and a sense of national dignity in times of war. Ukrainian symbols are again gaining popularity and demand not only on the territory of the Motherland, but also far beyond its borders. This trend indicates a change in the consciousness of Ukrainians and the value of the unique sacred heritage.
战争时期舞台工程设计中的乌克兰象征主义
这篇文章的目的是澄清在设计爱国主义方向的现代舞台项目时使用乌克兰符号的特殊性,特别是2014年以来俄罗斯联邦武装侵略乌克兰期间发生的项目。研究方法包括使用符号学分析来确定基于乌克兰符号的图像的语义;以及艺术历史分析,以确定实现舞台项目符号内容转换的设计技术和工具。这篇文章的科学新颖性在于确定在俄罗斯联邦武装侵略期间实施的舞台项目的身份设计中使用乌克兰符号的具体形象。揭示了以民族符号为基础的图像的多义性及其进行简洁转换的能力,这使得古代意义能够转换为现代意义。在当前的背景下,这种迹象获得了新的含义和表现力,武装战争侵犯了乌克兰国家的存在。结论。研究结果显示,在俄罗斯联邦的军事侵略期间,舞台项目的设计发生了实际变化。导演和艺术家越来越多地转向基于民间原型和民族主题的乌克兰符号。这可以在平面概念设计和基于乌克兰身份象征的图像的情感信息中观察到。研究发现,每个图形元素都有自己的含义和关联,可以用来传达某些情绪和情绪。研究发现,在战争时期,在舞台设计中使用乌克兰符号可以成为争取民族认同和民族尊严感的有效工具。乌克兰符号再次受到欢迎和需求,不仅在祖国领土上,而且在远远超出其边界的地方。这一趋势表明乌克兰人的意识和独特的神圣遗产的价值发生了变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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