{"title":"Performative encounters with the TIE programme #nofilter: A study based on Finnish teenagers’ written thoughts","authors":"Nina Dahl-Tallgren","doi":"10.1386/atr_00073_1","DOIUrl":null,"url":null,"abstract":"This study explores Finnish teenage students’ performative encounters with a performance, a theatre in education (TIE) programme called #nofilter, concerning young people and social media. The structure of the study regarding the TIE programme is based on educational design research with iterative cycles of inquiry. Thinking with theory is used as a methodology based on Barad’s agential realism guided by the analytical question: what diffractive learning events were co-created in the TIE programme #nofilter in the intra-action with the students? The agency produced can theoretically be understood as performative learning based on the materiality of the performance, including affective and performative encounters of the students’ intra-action with the theme of the TIE programme concerning social media on the internet with an entanglement of matter and meaning. The students recognized that they need to be aware of how to handle affects and situations that could appear in the intra-actions with social media to produce knowledge and perspective in their learning events.","PeriodicalId":41248,"journal":{"name":"Applied Theatre Research","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Applied Theatre Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/atr_00073_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
This study explores Finnish teenage students’ performative encounters with a performance, a theatre in education (TIE) programme called #nofilter, concerning young people and social media. The structure of the study regarding the TIE programme is based on educational design research with iterative cycles of inquiry. Thinking with theory is used as a methodology based on Barad’s agential realism guided by the analytical question: what diffractive learning events were co-created in the TIE programme #nofilter in the intra-action with the students? The agency produced can theoretically be understood as performative learning based on the materiality of the performance, including affective and performative encounters of the students’ intra-action with the theme of the TIE programme concerning social media on the internet with an entanglement of matter and meaning. The students recognized that they need to be aware of how to handle affects and situations that could appear in the intra-actions with social media to produce knowledge and perspective in their learning events.
期刊介绍:
Applied Theatre Research is the worldwide journal for theatre and drama in non-traditional contexts. It focuses on drama, theatre and performance with specific audiences or participants in a range of social contexts and locations. Contexts include education, developing countries, business and industry, political debate and social action, with children and young people, and in the past, present or future; locations include theatre which happens in places such as streets, conferences, war zones, refugee camps, prisons, hospitals and village squares as well as on purpose-built stages. The primary audience consists of practitioners and scholars of drama, theatre and allied arts, as well as educationists, teachers, social workers and community leaders with an awareness of the significance of theatre and drama, and an interest in innovative and holistic approaches to theatrical and dramatic production, learning and community development. Contributors include eminent and experienced workers and scholars in the field, but cutting-edge contemporary and experimental work from new or little-known practitioners is also encouraged. This double-blind peer-reviewed journal has a global focus and representation, with an explicit policy of ensuring that the best and most exciting work in all continents and as many countries as possible is represented and featured. Cultural, geographical, gender and socio-economic equity are recognised where possible, including in the Review Board.