Aspects of the Epigraphic Culture of Cannon Inscriptions during the Reign of Sigismund Augustus

Q2 Arts and Humanities
Kšištof Tolkačevski
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引用次数: 0

Abstract

Any object marked with epigraphic writing becomes unique in the totality of the same objects and acquires the status of a monument. In the 16th century, cannons were also marked with inscriptions (texts and images): some were created for warfare, others – to commemorate a certain event. During the reign of Sigismund Augustus, the Grand Duchy of Lithuania created the necessary infrastructure for cannon casting, which allowed it to produce large numbers of cannons to prepare for its war with the Grand Duchy of Moscow. The article attempts to reconstruct inscriptions on cannons using original and published archival sources stored in memory institutions in foreign countries (Poland, Sweden). An appendix covering 67 cannon records made it possible to perceive the structure of such inscriptions. Meanwhile, with the help of the ego-documentary legacy of the last Jagiellonian ruler, it was possible to study the functionality of cannon recordings in the context of epigraphic culture, paying special attention to the stages of the record’s emergence. This has so far been little studied at all. The collected data allowed to reach the conclusion that it was the ruler of the Grand Duchy of Lithuania who directly influenced the form, names, and content of the inscriptions on cannons.
西吉斯蒙德·奥古斯都时期炮文铭文文化的几个方面
任何标有铭文的物体在同一物体的整体中都是独一无二的,并获得了纪念碑的地位。在16世纪,大炮也标有铭文(文字和图像):一些是为战争而制造的,另一些是为了纪念某一事件。在西吉斯蒙德·奥古斯都统治时期,立陶宛大公国为大炮铸造建造了必要的基础设施,这使得它能够生产大量的大炮,为与莫斯科大公国的战争做准备。本文试图利用保存在国外(波兰、瑞典)的记忆机构的原始和出版的档案资料重建大炮上的铭文。一份包含67门大炮记录的附录使人们能够了解这些铭文的结构。与此同时,在雅盖隆王朝最后一位统治者的自我纪录片遗产的帮助下,有可能研究铭文文化背景下大炮录音的功能,特别关注记录出现的各个阶段。到目前为止,这方面的研究还很少。收集到的资料可以得出立陶宛大公国的统治者直接影响了大炮上铭文的形式、名称和内容的结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Knygotyra
Knygotyra Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
14
审稿时长
30 weeks
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