{"title":"Beyond lifetimes: who do we exclude when we keep things for the future?","authors":"Jane Henderson","doi":"10.1080/19455224.2020.1810729","DOIUrl":null,"url":null,"abstract":"Abstract This article challenges a dominant narrative of conservation: that keeping things for longer is better. Approaches common in the heritage sector, such as risk management, support cautious patterns of behaviour that generate unintended consequences that can create further barriers to already excluded groups. Museums control and shape how present-day users engage with each other through their collections, but conservators can become disconnected from this process because of our concern about protecting value for future unspecified users. Conservators cannot opt out of taking sides when faced with cultural inequality, and must either accept or challenge it. Predicating actions for unknown future beneficiaries is neither always necessary nor positive and unless we change our practices and acknowledge past inequalities, users of the future will look a lot like users of today, with the current exclusions as described by the ‘decolonise the museum movement’ remaining endorsed. Creating a positive goal for conservation by creating connections with and via collections enables conservation to contribute to current participatory museum practices. If conservators re-position their perspective from a commitment to extending the lifetimes of objects to extending the life-experiences generated by them, they can offer a focus in which past inequality rather than future beneficiaries becomes a determining criterion of how long we keep things. By way of a brief overview of relevant theory, the article is intended as a call-to-action for conservators to join debates about cultural rights, oppression and privilege raging in and around the heritage sector.","PeriodicalId":43004,"journal":{"name":"Journal of the Institute of Conservation","volume":"43 1","pages":"195 - 212"},"PeriodicalIF":0.5000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19455224.2020.1810729","citationCount":"7","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Institute of Conservation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19455224.2020.1810729","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 7
Abstract
Abstract This article challenges a dominant narrative of conservation: that keeping things for longer is better. Approaches common in the heritage sector, such as risk management, support cautious patterns of behaviour that generate unintended consequences that can create further barriers to already excluded groups. Museums control and shape how present-day users engage with each other through their collections, but conservators can become disconnected from this process because of our concern about protecting value for future unspecified users. Conservators cannot opt out of taking sides when faced with cultural inequality, and must either accept or challenge it. Predicating actions for unknown future beneficiaries is neither always necessary nor positive and unless we change our practices and acknowledge past inequalities, users of the future will look a lot like users of today, with the current exclusions as described by the ‘decolonise the museum movement’ remaining endorsed. Creating a positive goal for conservation by creating connections with and via collections enables conservation to contribute to current participatory museum practices. If conservators re-position their perspective from a commitment to extending the lifetimes of objects to extending the life-experiences generated by them, they can offer a focus in which past inequality rather than future beneficiaries becomes a determining criterion of how long we keep things. By way of a brief overview of relevant theory, the article is intended as a call-to-action for conservators to join debates about cultural rights, oppression and privilege raging in and around the heritage sector.
期刊介绍:
The Journal of the Institute of Conservation is the peer reviewed publication of the Institute of Conservation (Icon). As such, its aims reflect those of Icon, to advance knowledge and education in conservation and achieve the long term preservation and conservation of moveable and immoveable cultural heritage. The Journal provides a collective identity for conservators; it promotes and supports both the profession and professionalism. With international contributions on all aspects of conservation, it is an invaluable resource for the heritage sector. The specific aims of the Journal are to: 1. promote research, knowledge and understanding of cultural heritage conservation through its history, practice and theory 2. provide an international forum to enable and disseminate advances in research, knowledge and understanding relating to conservation and heritage 3. champion and support professional standards of heritage conservation in the UK and internationally 4. provide a permanent record of issues relating to conservation and heritage 5. be financially and operationally sustainable. To achieve these aims, the Journal invites contributions from all those involved in the conservation of cultural heritage and related activities. Areas of interest include understanding cultural heritage materials and their degradation; subject reviews and histories of cultural heritage materials and conservation treatments; new, innovative or improved approaches to conservation and collections care theory, practice, communication, management and training; case studies demonstrating new, innovative or improved approaches; and conservation in its wider context. Submitters are encouraged to demonstrate how their work is of practical application to conservation. To maintain professional standards and promote academic rigour, submissions of articles and shorter notices are subject to an anonymous peer review process.