Shared space and between space: Considering Jewishness and race through interspecies dancing1

IF 0.2 0 DANCE
Sarah Konner
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引用次数: 0

Abstract

This autoethnographic text describes a dance and personal historical research process during COVID-19 quarantine and Black Lives Matter protests in 2020. As implications of a changing planet and unequal cross-cultural impacts and responsibilities become ever more clear, this research explores assimilation into Whiteness in Ashkenazi Jewish American lineage and how that relates to interspecies dancing. What is lost in this story of assimilation? What might interspecies collaborations teach us about relating cross-culturally? Whiteness and Jewishness are considered through histories of speaking and losing Yiddish and the role of Jewish dancers in early modern dance in New York. Interviews about Yiddish and assimilation are in dialogue with an improvisational dance practice with a border collie dog (whose ancestors helped colonize the United States). This interspecies movement practice and others (including complex evolutionary histories) connect to biologist Donna Haraway and anthropologist Anna Tsing for insights about collaboration across differences. In thematically bringing Jewishness into performance practice, this research unravels layers of resistance, privilege and present racial inequities. The text looks to Audre Lorde and civil rights activist Eric K. Ward for coalition building practices: finding connection and finding ourselves are to be changed by our encounters without losing ourselves in the process.
共享空间与空间之间:从种间舞蹈看犹太人与种族
这篇民族志文本描述了2020年新冠肺炎隔离和黑人生命攸关抗议期间的舞蹈和个人历史研究过程。随着地球变化以及不平等的跨文化影响和责任的影响变得越来越明显,这项研究探讨了阿什肯纳兹犹太裔美国人血统中白人的同化,以及这与种间舞蹈的关系。这个同化的故事失去了什么?种间合作能教会我们什么关于跨文化联系的知识?白人和犹太性是通过讲意第绪语和失去意第绪文的历史以及犹太舞者在纽约早期现代舞中的角色来考虑的。关于意第绪语和同化的采访与一只边境牧羊犬(其祖先曾帮助美国殖民)的即兴舞蹈练习对话。这种种间运动实践和其他实践(包括复杂的进化史)与生物学家Donna Haraway和人类学家Anna Qing联系在一起,以深入了解跨差异的合作。在将犹太性纳入表演实践的主题中,这项研究揭示了抵抗、特权和当前种族不平等的层次。文本向奥德尔·洛德和民权活动家埃里克·K·沃德寻求建立联盟的实践:寻找联系和发现自己将因我们的遭遇而改变,而不会在这个过程中迷失自我。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
9
期刊介绍: Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.
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