Die Kapitelle der Ordensburg Fellin (Viljandi) – Dinge aus zweiter Hand aus Alt-Pernau (Vana-Pärnu)?

IF 0.1 0 ART
Kaur Alttoa
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引用次数: 0

Abstract

The rediscovery of the Viljandi Castle, which was totally destroyed during the Great Northern War, occurred between 1878 and 1879, when extensive excavations were conducted under the direction and guidance of Theodor Schiemann (1847–1921). The real sensation revealed by the excavations at the time was the discovery of numerous carved construction details. Most of them were column capitals or bases. These have been attributed to the main castle, which was a convent building typical of the Teutonic Order. This type of castle was developed in Prussia between ca 1280 and 1300, and its “classic” form spread between 1300 and 1330, during approximately the same half century as the Viljandi convent building was built. Some of the Viljandi column capitals have figural decorations and oak leaves are most common. There is also a large capital with naturalistic grape leaves, which comes from a cloister and was completed in the late 13th century. Apparently, the convent building was being constructed at that time. However, most of the capitals are much more archaic. Some of the motifs are typical of the Romanesque style. But the most common are the so-called “bud capitals” typical of the Early Gothic style. Basically such decorations became popular in Old Livonia in the 1250s and 1260s. In any case, it is clear that a large number of the capitals were carved when the convent-type castles had yet to develop. In the past, I have alluded to the possibility that there was a large richly decorated structure in Viljandi which was demolished to build the convent building. However, this is extremely unlikely. Although an archaeological study has not been made of the entire area of Viljandi’s main castle, it is hard to identify a place where such a large-scale building could have existed. Therefore, the possibility should be considered that some of the caitals were brought from elsewhere. We should also turn our attention to the fact that there are numerous capitals and bases for paired columns. Heretofore, it has been assumed that they had been used to decorate the windows of the chapel and capital hall in the northern wing of the main castle. Actually they originate from a structure which had an open gallery or cloister. However, this would mean that there was a very richly decorated structure in 13th century Old Livonia that was demolished less than 50 years after it was built, and the ruins were dispersed. There were very few such structures in Old Livonia at the time. However, one such case does exist, and it is not far from Viljandi – namely the Old Parnu Cathedral. The main church of the Oesel–Wiek bishopric in Old Parnu was completed in the early 1250s. Based on written records, we know that there was a capital hall, refectory and dormitory for the cathedral chapter house. This spatial plan also alludes to the existence of a cloister. The Old Parnu Cathedral was destroyed by the Lithuanians in 1263. Later, the ruins of the cathedral were reconstructed into a parish church. However, this means that the cloister was no longer need. And it is possible that some of the carved decorations were transported to Viljandi, where the construction of a large-scale castle was under way during the last decades of the 13th century.
旧时旧事(万娜•佩尔努饰)的奥登斯堡•费尔林党团?
维尔詹迪城堡在大北方战争期间被完全摧毁,重新发现发生在1878年至1879年间,当时在西奥多·席曼(1847–1921)的指导和指导下进行了大规模挖掘。当时的挖掘揭示出的真正轰动是发现了大量雕刻的建筑细节。它们大多是柱头或柱基。这些都归功于主城堡,这是一座典型的条顿骑士团修道院建筑。这种类型的城堡大约在1280年至1300年间在普鲁士发展起来,其“经典”形式在1300年至1330年间传播开来,大约与Viljandi修道院建筑建造的半个世纪相同。一些Viljandi柱头有象征性的装饰,橡树叶最为常见。还有一座巨大的首都,长着自然主义的葡萄叶,来自一座回廊,于13世纪末竣工。显然,修道院建筑当时正在建造中。然而,大多数的首都要古老得多。有些图案是典型的罗马式风格。但最常见的是早期哥特式风格中典型的所谓“萌芽柱头”。基本上,这种装饰在1250年代和1260年代在旧利沃尼亚流行起来。无论如何,很明显,大量的柱头都是在修道院式城堡尚未发展的时候雕刻的。过去,我曾暗示过维尔詹迪有一座装饰华丽的大型建筑被拆除以建造修道院建筑的可能性。然而,这是极不可能的。尽管尚未对维詹迪主城堡的整个区域进行考古研究,但很难确定有哪个地方可能存在如此大规模的建筑。因此,应该考虑到一些沉箱是从其他地方带来的。我们还应该注意这样一个事实,即成对的柱子有许多柱头和底座。迄今为止,人们一直认为它们被用来装饰主城堡北翼的小教堂和首都大厅的窗户。事实上,它们起源于一个有开放式画廊或回廊的建筑。然而,这意味着13世纪的利沃尼亚有一座装饰非常华丽的建筑,在建成不到50年后就被拆除了,废墟也被分散了。当时在旧利沃尼亚很少有这样的建筑。然而,有一个这样的案例确实存在,它离Viljandi不远,即老帕努大教堂。位于老帕努的Oesel-Wiek主教区的主教堂于1250年代初竣工。根据书面记录,我们知道大教堂章屋有一个主殿、食堂和宿舍。这个空间规划也暗示了回廊的存在。旧帕努大教堂于1263年被立陶宛人摧毁。后来,大教堂的废墟被重建为教区教堂。然而,这意味着回廊不再需要了。一些雕刻的装饰可能被运到了维詹迪,在13世纪的最后几十年里,那里正在建造一座大型城堡。
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来源期刊
CiteScore
0.20
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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